Notice bibliographique
Résumé
Program: Prelude Benjamin K. Keating ’25, organ Land Acknowledgement Noemi Delgado, Director of Accessibility Services Musical Selection Vesper Sparrow | Missy Mazzoli (b. 1980) 8AVES Tanvi Thatai ’25, soprano Sarah K. Ruiz ’26, soprano Ava K. A. Wadia ’26, alto Sam Dill ’25, alto Benjamin K. Keating ’25, tenor Matthew J. Carlson ’25, tenor Alexander Z. Alden ’25, baritone Curtis R. Anderson ’25, bass Call to Prayer Reeshi Bhattacharjee ’25 and Shreeya S. Tilva ’25 – Hinduism Nazlee D. Harunani ’25 and Fariah Jannat ’25 – Islam Danielle C. Bruce ’25 – Judaism Madeline N. Markham ’25 and Allison A. Juárez Wunderlin ’25 – Christianity Miranda R. Lawson ’25 – Paganism Jazz Trio April | Reese Pike (b. 2002) Reese Pike ’25, piano Vivian Shanley ’26, bass Owen E. Finch ’25, drums Welcome and Introduction of the Speaker Laurie A. Carter, President of Lawrence University Address to the Class of 2025 Robert McDonald ’73 Jazz Trio Wheatland | Oscar Peterson (1925–2007) Closing Reflection Terra Winston-Sage ’00, Julie Esch Hurvis Dean of Spiritual and Religious Life Postlude Helen Y. Panshin ’25, organ Speaker Biography Robert McDonald ’73, an accomplished pianist on the world stage, will address graduates at the 2025 Baccalaureate service and will be awarded an Honorary Doctor of Music Arts degree. McDonald has been a sought-after pianist for decades, performing in concerts and presenting masterclasses around the world. He has performed and recorded with Isaac Stern and Midori, as well as with numerous high-profile ensembles. He is on the faculty at The Juilliard School and the Curtis Institute of Music, where he holds the Penelope P. Watkins Chair in Piano Studies. He has been the recipient of the gold medal at the Busoni International Piano Competition, the top prize at the William Kapell International Competition, and the Deutsche Schallplatten Critics Award. In addition to being the artistic director of the Taos School of Music and Chamber Music Festival in New Mexico, he has participated in the Bergen, Lucerne, and Salzburg festivals in Europe, the Four Seasons, Marlboro, and Brevard festivals in the United States, the Steans Institute at Ravinia, as well as at the Banff Center in Canada and the Music Academy of the West. McDonald holds degrees from Lawrence, the Curtis Institute of Music, and Juilliard. He has taught at Juilliard since 1999 and the Curtis Institute since 2007. He was honored by Lawrence in 1990 with the Nathan M. Pusey Distinguished Achievement Award and was awarded an honorary doctorate from the Manhattan School of Music in 2018. In advance of a 2022 performance at Bowling Green State University, McDonald talked about how his Lawrence experience prepared him for what was to come. It was the first time, he said, that he had role models for a life in music. “The Lawrence experience set me on the right path,” he said. He continues to stay connected to Lawrence. When the Conservatory of Music took its 150-year celebration to New York City during the recent spring break—11 students spent four days in NYC attending masterclasses, one-on-one sessions, and performing at Manhattan School of Music—McDonald was among the alumni working with the students. ASL Interpretation provided by ASL Partners, LLC Music Acknowledgement Vesper Sparrow was commissioned and premiered by Grammy award-winning vocal octet Roomful of Teeth in 2012. The work was inspired by Sardinian “cantu e tenore” vocal techniques and includes an imitation of the call of the vesper sparrow. Farnoosh Fathi’s poem Home State weaves in and out of the texture. The work was recorded for Roomful of Teeth’s Grammy-nominated album Render. Production Acknowledgements A very special thank you to the following: Alvina Tan ’06 and Brent Hauer ’10 for their assistance with production. Andrew Mast and Daniel E. Schwandt for organizing our musicians.
Récupéré en direct depuis OpenAlex et désinversé. Les résumés ne sont pas conservés dans cette base de données : les index inversés représentent 8,6 Go des 9,3 Go de texte de la base, et le serveur dispose de 13 Go libres.
Comment cette classification a été obtenuedéplier
Prédiction distillée sur la base complète
Imitation des enseignantsNi prévalence calibrée, ni vérité terrain. Validation humaine à venir. Apprise à partir de 10 348 étiquettes directes de Codex et de 10 348 étiquettes directes de Gemma. Le mode candidate est l'union des têtes enseignantes seuillées; le consensus est leur intersection. Ces sorties portent le statut machine_predicted_unvalidated et ne sont ni des étiquettes humaines ni des étiquettes directes de modèles de pointe.
Scores Codex et Gemma par catégorie
| Catégorie | Codex | Gemma |
|---|---|---|
| Métarecherche | 0,000 | 0,000 |
| Méta-épidémiologie (sens strict) | 0,000 | 0,000 |
| Méta-épidémiologie (sens large) | 0,000 | 0,000 |
| Bibliométrie | 0,000 | 0,001 |
| Études des sciences et des technologies | 0,003 | 0,002 |
| Communication savante | 0,000 | 0,001 |
| Science ouverte | 0,001 | 0,001 |
| Intégrité de la recherche | 0,000 | 0,000 |
| Charge utile insuffisante (le modèle a refusé de juger) | 0,000 | 0,000 |
Scores machine (provisoires)
Les deux têtes enseignantes du modèle étudiant, lues sur ce travail. Un score ordonne la base pour la relecture; il n'affirme jamais une catégorie, et le statut de validation accompagne chaque rangée tel quel.
Scores de référence d'un modèle non mature (critères de maturité non atteints, 7 itérations). Un score ordonne; il n'affirme jamais une catégorie.
score_only:v0-immature-baseline · tel quel depuis la passe de notation : score_only signifie que le nombre peut ordonner les travaux, et qu'aucune étiquette de catégorie n'en découleClassification
machine, non validéePrédiction automatique; un appel candidat d’une seule tête enseignante, pas un consensus.
Le détail, modèle par modèle et score par score, se trouve en fin de page sous « Comment cette classification a été obtenue ».