An Annotated Bibliography of Works on P.K. Page (1985–2002)

following bibliography was prepared by Erin Whitmore, a graduate student in Canadian Studies and Native Studies Masters program at Trent University, under supervision Zailig Pollock. It consist an update Part II: Works on PK. Page John Orange's bibliography in Volume 6 Annotated Bibliography Canada's Major Authors. Each section this bibliography is organized chronologically. We would like to thank Sandra Djwa, Cynthia Messenger, John Orange and Brian Trehearne for their comments and suggestions. Articles and sections Books Bentley, D.M.R. ? Subtle Mourning': P.K. Page's 'The Permanent Tourists.' In Literary Theory in Classroom: Three Views P.K. Page's 'The Permanent Tourists.' Canadian Poetry 19 (Fall-Winter 1986): 68-73. Bentley undertakes a Page's The Permanent Tourists in context orientation in Canadian poetry. Bentley's analysis focusses primarily on instances mise en paysage developing a poem/photograph parallel out rectilinear stanzas, as well as modes representation involved in poem - poetry and photography. Included excerpts from two letters written to Page, in which she is questioned concerning this stanza/photograph parallel and to which she replies the rectangular stanzas - may well have thought them as photographs.... all say is that if didn't think it at time, should have! Bentley studies in detail penultimate stanza. Page's poem is a product high modernism as is evidenced in its elevated conception art and artist. Bentley concludes that despite seeming [inescapability] being a permanent tourist, in poetry of baseland orientation ... in our encounters with fellow tourists, there will be at least moments clairvoyance and empathy when gaps drop. Neuman, Shirley. Teaching P.K. Page's 'The Permanent Tourists.' In Literary Theory in Classroom: Three Views P.K. Page's 'The Permanent Tourists.' Canadian Poetry 19 (Fall-Winter 1986): 65-68. Neuman undertakes a close reading Page's The Permanent Tourists, choosing to !emphasize] tropes and rather than image. In doing so Neuman focusses on three figures: first on physics light, inquires do tourists see?; second, exploring Otherness,' suggests that tourists are Other' in foreign cities they enter; third considers the oxymoron poem's title, asking how can those who travel ... be permanent? A consideration these three figures leads Neuman to propose that rhetorical structure poem is consistently oxymoronic, playing off emptiness and reflection, otherness and essence, tourism and permanence. In her Neuman attempts to be self-conscious about reader. Ricou, Laurie. Literary Theory in Classroom: Three Views P.K. Page's 'The Permanent Tourists': Introduction. Canadian Poetry 19 (Fall-Winter 1986): 57-59. Page's poem The Permanent Tourists is chosen to be considered critically by three critics selected by Ricou: Kay Stockholder, Shirley Neuman and D.M.R. Bentley. This is part annual conference Association Canadian Universities Teachers English (ACUTE) in 1985. aim is to discover our theoretical positions, as academic critics and writers, affect what we do in classroom. When asked for permission to distribute a copy poem at conference, Page, after agreeing, states, I find it all quite hilarious and hope you don't mind my mirth. It is hard to believe that one is taken seriously. Stockholder, Kay. Devouring Eyes in Permanent Tourists' and Cry Ararat! In Literary Theory in Classroom: Three Views P.K. Page's 'The Permanent Tourists.' Canadian Poetry 19 (Fall-Winter 1986): 59-64. Stockholder provides a detailed analysis The Permanent Tourists. …

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