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Record W1503397454

Title, Frequency, and Publisher Changes; Cessations

2007· article· en· W1503397454 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

aboutThe title or abstract carries a Canadian signal from the geographic lexicon.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueNotes · 2007
Typearticle
Languageen
FieldArts and Humanities
TopicMusicology and Musical Analysis
Canadian institutionsnot available
Fundersnot available
KeywordsBluesMusicalArt historyMillerMedia studiesModernism (music)HistorySociologyArtVisual arts
DOInot available

Abstract

fetched live from OpenAlex

Beginning January 2007, the journal American Music (ISSN 0734-4392) will no longer be affiliated with the Society for American Music (SAM). The journal will continue to be published by the University of Illinois Press and Michael Hicks of Brigham Young University has been named editor. No interruption in publication is anticipated. SAM and Cambridge University Press have announced their new journal, the Journal for the Society for American Music (JSAM); the first issue will appear in spring 2007. JSAM will be the official journal of the society, and all members will receive copy. It will be the only official journal of the society. According to Michael Broyles, president of SAM, [w]ith Cambridge, we look forward to new intellectual directions for the journal, greater international presence, and cutting-edge use of digital technology. JSAM will appear quarterly and cover the entire range of American music(s) and its social and cultural milieu. Ellie Hisama, who has been editor of American Music, along with all other editors and the entire editorial board, have moved to JSAM. Articles to appear in the first issues of JSAM include Christopher Reynolds on Porgy and Bess, Denise Von Glahn and Michael Broyles on re-dating the beginnings of musical modernism, Leta Miller on race and the American Federation of Musicians, Teresa Magdanz on Sobre las Olas as cultural synecdoche, Benjamin Givan on McCoy Tyner and Bessie's Blues, and Laurie Stras on music of the Boswell Sisters. (All information was provided by Mariana Whitmer [executive director, Society for American Music] in an e-mail message to Erin Mayhood, 2 October 2006.) The Newsletter of the American Bach Society, published semi-annually from 1996-2003, has changed its name to Bach Notes. The new publication, beginning with number 1 (Spring 2004), will, in addition to keeping American Bach Society (ABS) members informed of current events and research developments, include short articles. The goal is to make Bach Notes a vehicle for short scholarly works in English analogous to the kleine Beitrage of the Bach-Jahrbuch. (Reginald L. Sanders, From the Editor, Bach Notes 1 [Spring 2004]: 12). Also new to the publication is Communications column, offering the ABS membership an opportunity to react to articles and pose questions. All issues of Bach Notes are freely available online (PDF) at: http://www.americanbachsociety.org/bachnotes.html. The biannual Canadian University Music Review (ISSN 0710-0353), published by the Canadian University Music Society/Societe de musique des universities canadiennes, has changed its name to Intersections: Canadian Journal of Music/Revue canadienne de musique (ISSN 1911-0146) starting with number 25, part 1-2 (2005). The first double issue is devoted to selection of articles by Finnish and Canadian authors, most of which were first presented as papers at May 2003 conference in Turku, Finland, entitled Northern Perspectives of Music as Vehicle for Cultural Transmission. Mary Woodside, the English editor, states that the new name makes explicit our long-standing tradition of treating all subjects musical: history, theory, pedagogy, performance and interdisciplinary studies. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.956
Threshold uncertainty score0.982

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0190.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.046
GPT teacher head0.242
Teacher spread0.196 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it