MétaCan
Menu
Back to cohort
Record W1525384503 · doi:10.30535/mto.18.1.7

Looking Beyond the Score

2012· article· en· W1525384503 on OpenAlexafffund
Michael Schutz, Fiona C. Manning

Bibliographic record

VenueMusic Theory Online · 2012
Typearticle
Languageen
FieldNeuroscience
TopicNeuroscience and Music Perception
Canadian institutionsMcMaster University
FundersMcMaster University
KeywordsGestureMusicalAffordanceRhythmActive listeningDuration (music)Movement (music)PsychologyCognitive psychologyKey (lock)Musical developmentCommunicationComputer scienceAestheticsVisual artsArtArtificial intelligence

Abstract

fetched live from OpenAlex

Performing musicians frequently use physical gestures that are more elaborate than required for sound production alone. Such movements are not prescribed in traditional musical scores, nor are they evident in audio recordings, and consequently they are rarely regarded as integral to a formal musical analysis. However, there is growing evidence that these movements do in fact alter an audience’s listening experience—i.e., the way a performance “sounds.” Therefore, we believe that analyses of these movements can inform more traditional analyses of notes and rhythms by lending insight into the way in which these musical elements are perceived . Here, we review research on the role of gestures in shaping the musical experience, focusing in particular on gestures used by percussionists to control perceived note duration. This paper embraces the multi-media affordances of Music Theory Online by integrating stimuli from key experiments—the first publication of these materials. Our aim is not only to summarize a growing body of work on the musical role of extra-acoustic factors such as ancillary gestures, but also to present new avenues of musical research that complement existing approaches.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Bench or experimental · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.539
Threshold uncertainty score0.669

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.064
GPT teacher head0.294
Teacher spread0.230 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designBench or experimental
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations10
Published2012
Admission routes2
Has abstractyes

Explore more

Same venueMusic Theory OnlineSame topicNeuroscience and Music PerceptionFrench-language works237,207