MétaCan
Menu
Back to cohort
Record W1527967466 · doi:10.3138/tric.27.1.56

Women in Theatre: Here, There, Everywhere, and Nowhere

2006· article· en· W1527967466 on OpenAlexaffvenueabout
Rebecca Burton, Reina Green

Bibliographic record

VenueTheatre Research in Canada · 2006
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsMount Saint Vincent UniversityUniversity of Toronto
Fundersnot available
KeywordsMainstreamGovernment (linguistics)Work (physics)Political sciencePublic relationsGender studiesSociologyEngineering

Abstract

fetched live from OpenAlex

This article examines the status of women in theatre in the early twenty-first century and determines that while there has been some improvement in Canada in the last twenty-five years,women still lag behind men in terms of employment in key creative positions Studies show that only 30-35% of the nation’s artistic directors are female and that this limits the production of work by female playwrights and the hiring of female directors. Problems are further exacerbated where there is limited provincial and corporate funding, as in Atlantic Canada. Little money, combined with a greater likelihood that work by female playwrights will be defined as risky and less attractive for sponsors and mainstream theatres, further restricts opportunities for women in theatre. Women also identify traditional hierarchical practices in the theatre industry and social policies, which fail to provide parental leave for self-employed workers or adequate publicly-funded daycare, as barriers to their participation.While increased government funding would help all theatre professionals, including women, and women can support one another through networking andmentorship, the theatre communitymust actively identify and change the practices that lead to gender inequity.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.732
Threshold uncertainty score0.540

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.004
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.003
Science and technology studies0.0240.018
Scholarly communication0.0130.005
Open science0.0010.006
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0130.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.046
GPT teacher head0.269
Teacher spread0.223 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2006
Admission routes3
Has abstractyes

Explore more

Same venueTheatre Research in CanadaSame topicTheatre and Performance StudiesFrench-language works237,207