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Record W1538831892

Pour une lecture postcoloniale de la bande dessinée Ile Bourbon 1730 (2006) de Appollo et Lewis Trondheim.

2011· article· fr· W1538831892 on OpenAlexaff
C ris Reynschi-Chikuma

Bibliographic record

VenueDOAJ (DOAJ: Directory of Open Access Journals) · 2011
Typearticle
Languagefr
FieldArts and Humanities
TopicComics and Graphic Narratives
Canadian institutionsUniversity of Alberta
Fundersnot available
KeywordsHumanitiesArtArt historyNous
DOInot available

Abstract

fetched live from OpenAlex

<p class="MsoNormal" style="text-align: justify; line-height: 150%; margin: 0cm 0cm 0pt; mso-pagination: none; tab-stops: 28.0pt 56.0pt 84.0pt 112.0pt 140.0pt 168.0pt 196.0pt 224.0pt 252.0pt 280.0pt 308.0pt 336.0pt; mso-layout-grid-align: none;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><strong style="mso-bidi-font-weight: normal;"><span lang="EN-US">Abstract (E):</span></strong><span lang="EN-US"> On his blog of Feb. 7 2007, Bart Beaty wrote about <em>Ile Bourbon 1730</em>: « this is a well-crafted but minor work,” and goes on saying “certainly not essential in the grand scheme of all things Trondheimian.” If it is possible to argue that within the « grand Trondheimian </span></span><span style="font-family: " lang="EN-US"><span style="mso-spacerun: yes;"> </span></span><span style="font-family: Times New Roman;"><span lang="EN-US">scheme » made of numerous creative and funny formal inventions, this particular<em> bande dessinée</em> is not especially innovative, this same argumentation poses the problem of the blindness of a formalist critique. In my essay, I show that <em>Ile Bourbon 1730</em> constitutes a critique of the traditional French history which, up to recently, ignored slavery. In this perspective, formal aspects, even if they are not entirely new, are smartly used to deconstruct the official history, leading the reader to decide for him/herself how to read a BD in general, and this one in particular.</span></span></span></p><p class="MsoNormal" style="text-align: justify; line-height: 150%; margin: 0cm 0cm 0pt; mso-pagination: none; mso-layout-grid-align: none;"><span lang="EN-US"><span style="font-family: Times New Roman; font-size: small;"> </span></span></p><p class="MsoNormal" style="text-align: justify; line-height: 150%; margin: 0cm 0cm 0pt; mso-pagination: none; mso-layout-grid-align: none;"><span style="font-size: small;"><span style="font-family: Times New Roman;"><strong style="mso-bidi-font-weight: normal;"><span lang="EN-US">Abstract (F):</span></strong><span lang="EN-US"> Sur son blog du 7 février 2007, Bart Beaty écrit à propos de <em style="mso-bidi-font-style: normal;">Ile Bourbon 1730</em> (2006) : « this is a well-crafted but minor work. </span><span style="mso-ansi-language: EN-GB;" lang="EN-GB">[…] certainly not essential in the grand scheme of all things Trondheimian ». </span><span style="mso-ansi-language: FR;" lang="FR">S’il est vrai que dans le « grand schème trondheimien » fait de nombreuses inventions formelles intelligentes et amusantes, <em style="mso-bidi-font-style: normal;">Bourbon</em> n’est pas une œuvre particulièrement innovante, elle constitue une critique de l’histoire traditionnelle française qui jusqu'à tout récemment ignorait l’esclavage. Dans cette perspective, les aspects formels, même s’ils ne sont pas entièrement neufs, sont remarquablement utilisés pour déconstruire l’histoire officielle et amener le lecteur engagé à réagir en se distançant du héraut pour se faire sa propre opinion. </span></span></span></p>

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Scholarly communication, Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.255
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.000
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0010.000
Science and technology studies0.0010.001
Scholarly communication0.0030.002
Open science0.0020.001
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0460.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.184
GPT teacher head0.483
Teacher spread0.300 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2011
Admission routes1
Has abstractyes

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