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Record W1543081129 · doi:10.3138/ctr.136.021

<i>Vertical City:</i> Staging Urban Discomfort

2008· article· en· W1543081129 on OpenAlexaffvenueabout
Kim Solga

Bibliographic record

VenueCanadian Theatre Review · 2008
Typearticle
Languageen
FieldSocial Sciences
TopicCultural Industries and Urban Development
Canadian institutionsWestern University
Fundersnot available
KeywordsCreative cityMetropolitan areaThe artsQuarter (Canadian coin)Power (physics)EstateVisual artsReal estateMedia studiesTourismSociologyHistoryManagementPolitical scienceArtLawCreativity

Abstract

fetched live from OpenAlex

When we set out to “stage” the city, just whose version of the city are we staging? As metropolitan centres around the world adopt the thinking of Richard Florida, the urban-policy’ theorist behind the now-ubiquitous “creative city” paradigm, civic politicians, arts administrators and private investors alike have begun to make the connection among wealth, clout and the power of performance. Thanks to Florida, it should be happy days for theatre artists in “creative” cities everywhere; in practice, things aren't always quite so rosy. In practice, an event like Toronto's high-profile Luminato festival wins $22.5 million in provincial funding, while the Ontario Arts Council, benefactor to hundreds of culture workers around the province, must make do with less than a quarter of that pot (Taylor). Increasingly, “staging” the city means what real estate agents think it means: fluffing the town for the global tourist gaze, getting the façade ready rather than supporting the structural backbone of the place. But with Richard Florida now ensconced at the University of Toronto's Rotman School of Management and his “creative city” the talk of the town, what are the alternatives, in Toronto or beyond?

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.450
Threshold uncertainty score0.895

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.003
Science and technology studies0.0040.012
Scholarly communication0.0070.004
Open science0.0010.002
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.0110.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.062
GPT teacher head0.288
Teacher spread0.226 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2008
Admission routes3
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicCultural Industries and Urban DevelopmentFrench-language works237,207