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I<scp>nside</scp> L<scp>uciano</scp> B<scp>erio</scp>'s S<scp>erialism</scp>

2009· article· en· W1551422245 on OpenAlex
Christoph Neidhöfer

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueMusic Analysis · 2009
Typearticle
Languageen
FieldArts and Humanities
TopicDiverse Musicological Studies
Canadian institutionsMcGill University
Fundersnot available
KeywordsArtComputer scienceVisual artsLiterature

Abstract

fetched live from OpenAlex

ABSTRACT Like many other composers who later distanced themselves from serialism, Luciano Berio (1925–2003) embraced its principles in the 1950s and beyond. While Berio's early serial techniques from the Due pezzi of 1951 to Nones of 1954 are well known, his subsequent serial practice is still little understood for three principal reasons: in his writings and interviews Berio provided only limited information on his serial works; it is very difficult to decipher Berio's later complex serial techniques from the published scores alone; and only one sketch survives for any of his serial works from 1951 to 1958 (for Allelujah I , 1955–6). Following a brief examination of the integral serialism in Nones (whose principles have been known for some time thanks to an analytical note by Berio), the present study investigates the serial techniques deployed in the Quartetto per archi (1955–6) and Allelujah I . Berio's serial materials are reconstructed with the help of distributional analyses and from an historical angle that has been little explored thus far: the influence of Bruno Maderna (1920–1973), Berio's mentor and close collaborator at the Studio di fonologia musicale in Milan.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.006
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies, Scholarly communication, Insufficient payload (model declined to judge)
Consensus categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.214
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.006
Meta-epidemiology (narrow)0.0020.002
Meta-epidemiology (broad)0.0030.003
Bibliometrics0.0020.003
Science and technology studies0.0030.002
Scholarly communication0.0030.001
Open science0.0020.001
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0020.004

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.064
GPT teacher head0.230
Teacher spread0.167 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it