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Record W1637317095 · doi:10.3138/ctr.163.018

Taking the Measure of Nuit Blanche 2014

2015· article· en· W1637317095 on OpenAlexvenueaboutno aff
Caitlin M. Austin, Kat Dos Santos, Sarah E. Gilpin, Minji Kim, Jonas Trottier, Kim Solga

Bibliographic record

VenueCanadian Theatre Review · 2015
Typearticle
Languageen
FieldSocial Sciences
TopicSport and Mega-Event Impacts
Canadian institutionsnot available
Fundersnot available
KeywordsAttendancePerformance artDisappointmentVisual artsArtArt historyHistoryPsychologyPolitical scienceLaw

Abstract

fetched live from OpenAlex

Abstract: Six years ago, Laura Levin and Kim Solga reflected in CTR on their travels through the 2008 edition of Toronto’s Scotiabank Nuit Blanche all-night art festival. That review offered a trenchant critique of the ways in which “the event that is Nuit Blanche” was beginning uncomfortably to “eclips[e] the art that is Nuit Blanche.” Today, with nearly a decade of Nuit Blanches in Toronto behind us, with attendance numbers increasing every year, and with Toronto an established “creative city” at the forefront of urban neoliberalism, that critique seems almost too obvious. Nuit Blanche is now marketed and represented in the media as a good-time street party, but it does not necessarily follow that the meanings Nuit Blanche makes for spectators on the ground are in any way stable, or necessarily banal. In October 2014, Solga set out for Nuit Blanche with a vanload of students from her undergraduate performance studies seminar. The goal: to experience as much of the festival as possible, with an eye to investigating the ways in which the art on offer hailed it spectators and invited active, participatory engagement. What did Nuit Blanche want from a keen and largely novice group of performance art enthusiasts? What would it offer in return? Would it let them down? And, if so, what might they learn from their disappointment?

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.008
metaresearch head score (Gemma)0.038
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.947
Threshold uncertainty score0.106

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0080.038
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0030.003
Science and technology studies0.0090.013
Scholarly communication0.0090.007
Open science0.0010.007
Research integrity0.0020.005
Insufficient payload (model declined to judge)0.0160.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.092
GPT teacher head0.333
Teacher spread0.241 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2015
Admission routes2
Has abstractyes

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Same venueCanadian Theatre ReviewSame topicSport and Mega-Event ImpactsFrench-language works237,207