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Record W173908518 · doi:10.14264/334848

Authenticity, consumption and popular culture

2000· dissertation· en· W173908518 on OpenAlexaboutno aff
Keith Christopher Hampson

Bibliographic record

VenueThe University of Queensland · 2000
Typedissertation
Languageen
FieldArts and Humanities
TopicMusic History and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsPopular cultureValue (mathematics)Argument (complex analysis)ModernityIdeologyAestheticsPoliticsConsumption (sociology)RomanceSociologyOriginalityEpistemologySocial scienceMedia studiesArtLiteraturePolitical sciencePhilosophyLaw

Abstract

fetched live from OpenAlex

The dissertation addresses the operation of authenticity within contemporary Canadian popular culture. Specifically, it attempts to understand how this Romantic ideal, proffered by the likes of Rousseau and others, fares under post-modern conditions. Three case studies are examined: The Late Show with David Letterman, the musical genre of Gangsta rap, and the I AM Canadian promotional campaign by Molson Breweries.The literature review has two essential functions: to reconsider the effectiveness of using the resistance-incorporation distinction to evaluate the political dimensions of popular culture. Second, to consider the present and emerging conditions in which the ideology of authenticity operates. I pay special attention to those theories that either (a) discount the value of authenticity as a means of evaluating and relating to popular culture, (b) question the possibility of authenticity in post-modern popular culture, or (c) contend that the value of authenticity is no longer relevant to contemporary consumers.It is the argument of this dissertation that post-modern conditions do pose a challenge to the status and operation of this essential value of modernity. However, I argue that these conditions in no way displace the value or social status of ‘the authentic.’Three contemporary forms of authenticity within popular culture are addressed. Seamless authenticity refers to those instances in which the value of the cultural text lies less in its social and political content (its ideas, values, and so forth) than in the coherency of the text. Here, authenticity transcends all other concerns. Seamless culture is celebrated on the basis of its capacity to be ‘exactly what it claims to be’ - a collapse, then, of reality and representation. The second form, authenticity mining, refers to the process by consumer capital of cultivating or ‘mining’ symbols that resonate with the market. To adequately cater to the demands of the contemporary markets, capital is forced to mine culture previously untouched by commercial culture. The third form of authenticity appears as its antithesis. Ironic authenticity establishes a critical stance in relation to the inauthentic, and through this process, provides the consumer with an opportunity to define him or herself as an aware and autonomous figure. All three varieties are considered in terms of their role in expanding the legitimacy of consumption as a way of life.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.236
Threshold uncertainty score0.469

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.004
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.003
Science and technology studies0.0060.025
Scholarly communication0.0100.004
Open science0.0010.003
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0030.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.019
GPT teacher head0.196
Teacher spread0.177 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2000
Admission routes1
Has abstractyes

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