Les usages citoyens des espaces urbains : entre actualités, archives et oeuvres
Bibliographic record
Abstract
In the field of visual arts, the status of artists’ records has undergone significant changes since the 1960s. Traditionally considered the product of forces outside an actual work of art, documents themselves are now used in such a way as to transform them into artistic materials, and sometimes even into works of art. Archives have henceforth become a space for artistic practice, where artists can develop their critical outlook on the world. They can become part of a political work and initiate a call for action. This hypothesis is based on examining the photographs of press agencies collected by Montreal artist and architect, Melvin Charney: photographs depicting the relationship between buildings and current events. Titled “ UN DICTIONNAIRE… ” [A Dictionary], this work holds a complex place in Charney’s overall approach. In developing and organizing his body of work, the artist attempts to capture the complex transformations of urban spaces, and the social relationships that are played out in them. He continually draws from this fonds to create his interventions into public space and to introduce new concepts of social space. This article explores sequentially the inscription of the memory of cities into the urban fabric as a means of resisting modern urbanization, and the creation of public spaces dedicated to popular gatherings and democratic expression. RESUME Depuis le milieu des annees 1960, dans le champ des arts visuels, le statut des documents et des archives d’artistes connait des mutations importantes. Relevant traditionnellement d’un espace exterieur a l’oeuvre, les documents se voient frequemment transformes en materiaux artistiques, et parfois en oeuvres. Les archives tiennent desormais lieu de pratiques artistiques a travers lesquelles les artistes developpent une pensee critique sur le monde. Elles peuvent faire oeuvre politique et le personnel du Centre Canadien d’Architecture : Howard Shubert, Conservateur de la collection des dessins et estampes, et Anne-Marie Sigouin, Assistante aux conservateurs, Reference, qui m’ont genereusement donne acces a l’oeuvre de Charney et ont mis a ma disposition une documentation abondante. Je suis egalement tres reconnaissante a Anne-Marie St-Jean Aubre, etudiante a la maitrise au Departement d’histoire de l’art de l’Universite du Quebec a Montreal, pour son aide precieuse a la recherche documentaire et iconographique. inciter a l’action. Cette hypothese est developpee a partir du fonds de photographies d’agences de presse representant des bâtiments aux prises avec les evenements de l’actualite, que Melvin Charney, artiste et architecte montrealais, collecte. Intitulee UN DICTIONNAIRE... , cette oeuvre tient une place complexe dans l’ensemble de la demarche de Charney. En developpant et en organisant son corpus, l’artiste cherche a saisir les transformations complexes des espaces urbains et les rapports sociaux qui s’y jouent. Il puise regulierement dans ce fonds pour realiser ses interventions dans l’espace public et y introduire de nouvelles conceptions de l’espace social. L’inscription de la memoire des villes dans le tissu urbain en guise de resistance a l’urbanisation moderne et la creation d’espaces publics dedies aux rassemblements populaires et a l’expression democratique seront successivement examinees.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.001 | 0.001 |
| Scholarly communication | 0.001 | 0.001 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.005 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".