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Record W1811605794

Archivalterity: Rethinking Original Order

2008· article· en· W1811605794 on OpenAlexfundno aff
Heather MacNeil

Bibliographic record

VenueArchivaria (Association of Canadian Archivists) · 2008
Typearticle
Languageen
FieldArts and Humanities
TopicDigital and Traditional Archives Management
Canadian institutionsnot available
FundersSocial Sciences and Humanities Research Council of Canada
KeywordsScholarshipOriginalityCriticismContext (archaeology)IntentionalityTextual criticismLiterary criticismOrder (exchange)Meaning (existential)EpistemologySociologyPhilosophyHumanitiesLiteratureLinguisticsArtHistorySocial sciencePolitical scienceLawQualitative research
DOInot available

Abstract

fetched live from OpenAlex

Although their objects of analysis are different, traditional textual criticism and the classical archival theory of arrangement deal with issues of authenticity. Textual criticism aims to restore a literary text as closely as possible to its original, authentic form, while archival arrangement seeks to reconstruct the “authentic,” meaning original, order of a body of records. In both fields, originality and authenticity are closely tied to the identification and stabilization of final authorial intentions. Over the last twenty years, new streams of textual scholarship have emerged, which challenge the theory of final authorial intentions and extend the scope of textual criticism beyond literary works to cultural texts of various kinds. This scholarship argues that cultural texts – whether literary, artistic, or architectural – are not fixed or stabilized at one moment in time; rather, they are in a continuous state of becoming, as they are resituated and recontextualized in different environments and by different authorities. This article explores how issues of authenticity, originality, and intentionality have been discussed in the context of traditional textual criticism, some of the ways in which new streams of textual scholarship are challenging that tradition, and the implications of that challenge for the archival theory of arrangement.RÉSUMÉMême si leurs objets d’analyse sont différents, la critique textuelle traditionnelle et la théorie classique du classement archivistique traitent de questions relatives à l’authenticité. La critique textuelle vise à rapprocher le texte littéraire le plus près possible de sa forme originale et authentique, alors que le classement archivistique tente de reconstituer l’ordre « authentique » – c’est-à-dire l’ordre original – d’un ensemble de documents. Dans les deux cas, l’originalité et l’authenticité sont intimement liées à l’identification et à la détermination de l’intention finale de l’auteur. Au cours des vingt dernières années, on a assisté à l’émergence de nouveaux courants de théorie textuelle qui ont remis en question la théorie de l’intention finale de l’auteur et qui ont étendu la portée de la critique textuelle au-delà des textes littéraires pour inclure des textes culturels de toute sorte. Ces courants soutiennent que le texte culturel – que ce soit un texte littéraire, artistique ou architectural – n’est pas fixe ou stable à un moment précis dans le temps, mais qu’il est dans un état continuel de devenir, étant réinterprété (« resituated ») et « recontextualisé » selon différents environnements et par différents experts. Ce texte explore comment ont été traitées les questions d’authenticité, d’originalité et d’intention dans le contexte de la critique textuelle traditionnelle, il examine certaines façons dont les nouveaux courants de critique textuelle ont contesté cette tradition et il présente les répercussions de cette nouvelle perspective sur la théorie archivistique du classement.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.040
metaresearch head score (Gemma)0.094
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.040
Threshold uncertainty score0.211

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0400.094
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0060.005
Science and technology studies0.0110.048
Scholarly communication0.0220.027
Open science0.0030.011
Research integrity0.0020.009
Insufficient payload (model declined to judge)0.0140.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.030
GPT teacher head0.198
Teacher spread0.168 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations44
Published2008
Admission routes1
Has abstractyes

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