MétaCan
Menu
Back to cohort

The Politics of Gender: Feminist Implications of Gender Inversions from M. Butterfly

2011· article· en· W1825599002 on OpenAlexvenueno aff
Weilin Li

Bibliographic record

VenueCross-cultural communication · 2011
Typearticle
Languageen
FieldSocial Sciences
TopicAsian Culture and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsFeminismGender studiesSociologyHumanitiesEthnologyPhilosophy

Abstract

fetched live from OpenAlex

The issue of gender has been discussed in terms of postcolonial feminism as a political tool, and the intervention of race makes the problem more complicated. The Chinese-American playwright David Henry Hwang makes a self-conscious move and inverts the gender identities of his characters Gallimard and Song. This paper analyzes the inversions and the corresponding implications from various viewpoints: the stereotype and fetishism, the problem of discourse power, and Homi Bhabha’s theory of the third space and Woolf’s androgyny vision. Oriental women have long been fetishized into a stereotype; they are depicted as submissive and passive, and are silenced by the double pressure from race and sex. In M. Butterfly, the stereotype is crushed by gender obscurity and inversion, and the articulation power is handed over to a person in the “third space” with hybrid identity. This masquerade can be seen as a process of self seeking and re-identification, in which Hwang installs his philosophy in feminism and provides his method for females, especially Oriental females, and this paper recovers the philosophy and exploration his contribution to postcolonial feminism in detail. Key words: Gender Inversion; M. Butterfly; Stereotype; Discourse Power; Third Space; Androgyny Resume: La question de genre a ete discutee en termes du feminisme postcolonial comme un outil politique, et l'intervention de la race rend le probleme plus complique. Le dramaturge sino-americain David Henry Hwang fait une demarche de conscience de soi et inverse les identites de genre de ses personnages Gallimard et Song. Cet article analyse les interversions et les implications correspondantes des points de vue differents: le stereotype et le fetichisme, le probleme du pouvoir de discours, la theorie du d'Homi Bhabha et la vision androgyne de Woolf. Les femmes orientales ont longtemps ete fetichisee dans un stereotype; elles sont depeintes comme soumises et passives, et sont reduites au silence par la double pression de la race et du sexe. Dans Madame Papillon, le stereotype est ecrase par l'obscurite et l'interversion des sexes et le pouvoir d'articulation est remis a une personne dans le troisieme espace avec l'identite hybride. Cette mascarade peut etre vue comme un processus de recherche de soi et de re-identification, dans lequel Hwang installe sa philosophie dans le feminisme et fournit sa methode pour les femmes, en particulier les femmes orientales, et cet article reprend la philosophie et l'exploration de sa contribution au feminisme postcolonial en detail. Mots-cles: Interversion Des Sexes; Madame Papillon; StEREOtype; Puissance de Discours; TroisiEMe Espace; Androgynie

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.041
Threshold uncertainty score0.081

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0130.027
Scholarly communication0.0040.005
Open science0.0010.004
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0050.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.115
GPT teacher head0.379
Teacher spread0.264 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2011
Admission routes1
Has abstractyes

Explore more

Same venueCross-cultural communicationSame topicAsian Culture and Media StudiesFrench-language works237,207