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Record W1900493696

Step into My Parlour: Magical Realism and the Creation of a Feminist Space

2011· article· en· W1900493696 on OpenAlexvenueno aff
Valerie Henitiuk

Bibliographic record

VenueCanadian review of comparative literature · 2011
Typearticle
Languageen
FieldArts and Humanities
TopicLiterature, Magical Realism, García Márquez
Canadian institutionsnot available
Fundersnot available
KeywordsMagic realismMAGIC (telescope)AntinomyRealismPopularityEpistemologyAestheticsPhilosophyLiteratureSociologyArtPsychologySocial psychologyPhysics
DOInot available

Abstract

fetched live from OpenAlex

Originally considered a Latin American event (Zamora and Paris 1995,1), magic realism has been-convincingly shown to be far more widespread; indeed, recent decades it has been gaining international popularity. Yet despite its immense success, it remains among the most challengingly diverse and ill-defined of the literary modes or genres. Abstract, intuitive notions about the nature of magic realism abound, the most common of which is that it blends the magical and the real, introducing fantastic elements a real-world setting. This is also true of many other types of literature, however, and therefore the notion is too vague and imprecise to be helpful establishing a definition. One critic who has attempted to articulate the exact relationship between the magic and the real is Amaryll Chanady, who argued that any antinomy between these worlds is resolved, because in magic realism, the supernatural is presented as problematic, but is instead integrated within the norms of perception of the narrator and characters the fictitious world (1985, 23). Because they supposedly do question the supernatural, she concludes that the magic does not disconcert the reader (24). In other words, the magic is disturbing to the characters or narrator because it is

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.991
Threshold uncertainty score0.035

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.001
Science and technology studies0.0060.030
Scholarly communication0.0060.007
Open science0.0010.003
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0060.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.035
GPT teacher head0.272
Teacher spread0.236 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations4
Published2011
Admission routes1
Has abstractyes

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Same venueCanadian review of comparative literatureSame topicLiterature, Magical Realism, García MárquezFrench-language works237,207