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Record W1951170579

Sharing Their Voices: A Short History of Choral Societies in Nineteenth-century Newfoundland

2003· article· en· W1951170579 on OpenAlexaffabout
Glenn David Colton

Bibliographic record

VenueThe Journal of Macrodynamic Analysis (Memorial University of Newfoundland) · 2003
Typearticle
Languageen
FieldSocial Sciences
TopicCanadian Identity and History
Canadian institutionsLakehead University
Fundersnot available
KeywordsChoirVisual artsHistoryAestheticsGenealogySociologyArt
DOInot available

Abstract

fetched live from OpenAlex

It was a glorious summer's day in North America's oldest city as a musical gathering of unprecedented proportions commemorated John Cabot's voyage to the New World.An instrumental ensemble of the finest musicians in St. John's accompanied a magnificent vocal display by massed choirs, while a native soprano took centre stage.This could have been a description of the Grand Finale Concert of the inaugural Festival 500, a milestone in the rich history of singing in Newfoundland and Labrador that laid the foundation for our gathering here today.The year, however, was not 1997 but 1897, and the performance in question marked the beginning of a Newfoundland landmark of a different sort.On that memorable day, June 22, 1897, the city's finest civilian bands and massed choirs marched in procession from downtown St. John's to the summit of Signal Hill, where they celebrated the founding of the new Cabot Tower.There they were joined by Newfoundland's own "Nightingale of the North," international opera star Georgina Stirling of Twillingate, for a stirring rendition of hymns in honour of Queen Victoria's Jubilee Year.Patriotism and optimism reigned, as the rocky cliffs reverberated with singing.Then, as now, they had come to share their voices.Despite the many hardships oflife in colonial Newfoundland, it had been a remarkable century of social and cultural development.The Napoleonic Wars and the War of 1812 resulted in unprecedented prices for fish, the colony's unofficial currency, and this in turn fuelled a sustained wave of European immigration.By 1815, the population of the capital of St. John's had grown from just over 3000 at the turn of the century to 10,000 (a number greater than that of Toronto at the time).Slowly but unmistakably, the seeds of cultural progress were planted as a new society emerged.It was a society in which music-in particular, singing-was to play an increasingly vital role.As early as 181 I, advertisements for private musical instruction could be observed in Newfoundland's first newspaper, the Royal Gazette, where a Mr. LaTour had placed an ad for music and dancing lessons (to which he later added "the art of fencing"!).I As subsequent waves of musically trained immigrants crossed the Atlantic, opportunities for private musical instruction grew exponentially for those who could afford it.One music teacher, a Mr. Swain, arrived from England in 1843 where, as the Public Ledger of St. John's tells us, he had recently sung at "the principal London Theatre" (Public Ledger, 1843, December 26).Trained in Paris, Swain offered his Newfoundland pupils instruction in pianoforte, organ, thorough bass, and French, English, and Italian singing, as well as group classes for the study of both sacred and secular music.While private music teachers catered to the families of merchants, professionals, government officials, and members of the clergy, it was the tireless dedication of religious groups such as the nuns of the Presentation and Mercy Convents on the island of Newfoundland and the Moravian missionaries in coastal Labrador,2 that made musical instruction attainable for those less privileged.3 By 1833, the Presentation nuns had incorporated hymn singing into the daily school routine, the legacy of which could be observed decades later.At one performance by girls of the convent school in 1861 it was noted that Some of the girls sang solos and duetts, playing the piano accompaniment, and showing much progress and taste in music ....These institutions must truly be regarded as amongst the greatest blessings to society, when we remember how largely its well being depends on female education-more especially the education of the female poor, who if not taught at such establishments, would probably be denied all education whatever.(Newfoundlander, 1861, August 5)

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.060
Threshold uncertainty score0.436

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.001
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0030.004
Science and technology studies0.0290.010
Scholarly communication0.0070.003
Open science0.0020.008
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0150.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.215
Teacher spread0.201 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2003
Admission routes2
Has abstractyes

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Same venueThe Journal of Macrodynamic Analysis (Memorial University of Newfoundland)Same topicCanadian Identity and HistoryFrench-language works237,207