MétaCan
Menu
Back to cohort
Record W1966527367 · doi:10.1353/mdr.2006.0034

Performing the Edwardian Ideal: David Mamet and The Winslow Boy

2005· article· en· W1966527367 on OpenAlexvenueno aff
Irène Morra

Bibliographic record

VenueModern Drama · 2005
Typearticle
Languageen
FieldArts and Humanities
TopicCultural Studies and Interdisciplinary Research
Canadian institutionsnot available
Fundersnot available
KeywordsSubject (documents)DramaArtLiteratureCharacter (mathematics)Ideal (ethics)Performance artArt historyHistoryPhilosophyEpistemology

Abstract

fetched live from OpenAlex

When The Winslow Boy, with screenplay and direction by David Mamet, premiered in 1999, critics scrambled to account for Mamet's uncharacteristic choice of subject and setting. Variously termed a costume piece (Null), Mer-chant-Ivory fare (Macnab), and an Edwardian drama (James 22), the film was consistently noted to be far removed from Mamet's apparently typical "hide-and-seek scenarios featuring characters who fire off tough-guy, staccato dialogue at machine-gun velocity" (Sipe) or "lowlifes and con men, gamblers and thieves" (Ebert). Although Mamet himself acknowledges that the film marks a "departure," he qualifies that observation with the statement that he is departing only "from some of [his] other work" (qtd. in Graham 231). Indeed, while critics in one breath note the vast difference between the subject of The Winslow Boy and that of Mamet's films and plays, they tend to search for and ultimately assert a thematic or linguistic emphasis consistent with that of Mamet's work. That similarity has been seen to lie in the film's apparent interest in "whether an offscreen crime really took place" (Ebert), in its use of "trademark" Mamettian ellipses and overlapping dialogue (Kelleher), and in its dissection of assumed social and domestic values (McIntire-Strasburg).

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.044
Threshold uncertainty score0.088

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.000
Science and technology studies0.0170.014
Scholarly communication0.0080.005
Open science0.0010.004
Research integrity0.0020.006
Insufficient payload (model declined to judge)0.0070.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.036
GPT teacher head0.269
Teacher spread0.233 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2005
Admission routes1
Has abstractyes

Explore more

Same venueModern DramaSame topicCultural Studies and Interdisciplinary ResearchFrench-language works237,207