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Record W1985227418 · doi:10.1093/fs/knq144

Between Languages and Cultures: Colonial and Postcolonial Readings of Gabrielle Roy Between Languages and Cultures: Colonial and Postcolonial Readings of Gabrielle Roy. By R <scp>osemary</scp> C <scp>hapman</scp> . Montreal: McGill-Queen's University Press, 2009. x + 308 pp. Hb CD$95.00; £63.00.

2010· article· en· W1985227418 on OpenAlexaboutno aff
R Linz

Bibliographic record

VenueFrench Studies · 2010
Typearticle
Languageen
FieldSocial Sciences
TopicPolitical and Social Issues
Canadian institutionsnot available
Fundersnot available
KeywordsColonialismQueen (butterfly)Art historyArtMedia studiesHistoryHumanitiesSociologyArchaeology

Abstract

fetched live from OpenAlex

Although Gabrielle Roy holds a prominent place within Quebec's literary canon, she in fact spent her formative years in Manitoba, where she witnessed and experienced the tensions and power dynamics at play in the French–English bilingual environment. Rosemary Chapman's interest in both Roy's life and her literary works informs this engaging and well-documented evaluation of the influence of language on Roy and on the linguistic choices she made. She discusses Roy's bilingual background, including her education (conducted primarily in English), her travels to England and France, and her decisions to settle down in Quebec and, more significantly, to compose her writings in French. Chapman begins her study with a thorough survey of Manitoba's linguistic history. Focusing primarily on the role of English and French in the school system, she defends her discussion by reminding us that ‘education is a key tool of colonial and imperial governance’ (p. 6). This is an informative digression, which examines how Roy's own education and bilingualism influenced the way she wrote, and the ample historical context will be useful for readers unfamiliar with Manitoba's cultural background. Roy's complex relationship with the French and English languages manifests itself through her ambivalent attitude towards Canadian identity, an ambivalence that is explored in both her autobiographical and fictional works. Her writings often reveal linguistic and cultural tensions between groups of people (for example, through the use of code-switching by certain characters). Chapman demonstrates that Roy's hyper-awareness of language is neither simple nor political, but rather a reflection of her personal background and experiences. Roy's journalistic preoccupation with migrant families, indigenous people, and immigrants offers additional insight into her interest in intercultural communications as well as her self-identification as a cultural outsider. Chapman explores this sentiment and its effect on Roy's writings in Chapter 3, part of which appeared in an earlier version in a special issue of French Review in 2005 on the subject of ‘Le Québec et le Canada francophone’. Particularly compelling is Chapman's fourth chapter, on the English translations of Roy's fictional works. Chapman reminds us that it was the English translation of Bonheur d'occasion (1945) — The Tin Flute (1947) — that established Roy's international reception. A comparison of key citations from Roy's fictional works in French and in English demonstrates the difficulties of translation and the degree to which Roy's play with language and linguistic choices becomes invisible in the English versions. These translations, or rather the changes or omissions within, reveal thought-provoking problems of assimilation and colonial power relations. After reading Chapman's analysis, it would be difficult to read Roy — in English or in French — without keeping in mind the author's own point of reference as a bilingual, bicultural outsider.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.004
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.274
Threshold uncertainty score0.545

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.004
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0030.004
Science and technology studies0.0080.017
Scholarly communication0.0060.005
Open science0.0010.002
Research integrity0.0030.004
Insufficient payload (model declined to judge)0.0110.002

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.010
GPT teacher head0.291
Teacher spread0.281 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2010
Admission routes1
Has abstractyes

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