MétaCan
Menu
Back to cohort
Record W2005107703 · doi:10.1177/0021934714541839

Contextualizing South Africa’s Freedom Songs

2014· article· en· W2005107703 on OpenAlexaff
Khondlo Mtshali, Gugu Hlongwane

Bibliographic record

VenueJournal of Black Studies · 2014
Typearticle
Languageen
FieldSocial Sciences
TopicSouth African History and Culture
Canadian institutionsSaint Mary's University
Fundersnot available
KeywordsHarmony (color)SociologyPraiseHegemonyDemocracyContext (archaeology)HistoryLawLiteraturePolitical sciencePoliticsArtVisual arts

Abstract

fetched live from OpenAlex

This article offers an examination of Lee Hirsch’s Amandla!: A Revolution in Four-Part Harmony. Beginning with the liberation songs that gained salience during the National Party’s implementation of apartheid policy in 1948 and ending with the struggle songs of a post-1994 democratic South Africa, the documentary’s aim is to retrieve and recount the role of freedom songs in antiapartheid struggle. Using the writings of Ernesto Laclau, John Mbiti, Paul Ricoeur, and Alfred Schutz, this essay will argue that liberation songs are ancestral text that were partly used by antiapartheid activists to create their collective identities. This essay will further argue that Amandla! set itself the task of retrieving South Africa’s liberation songs and liberation’s praise singers from the ancestral region John Mbiti calls Zamani to a region he calls Sasa. However, this essay will assert that the ancestral retrieval task of this documentary is compromised by the documentary’s privileging of the hegemonic groups within the African National Congress (ANC), the documentary’s presentation of the ANC as a monolithic and univocal organization, and the producer’s snowball sampling method. Arguing that this documentary relegates some of the South African struggle experiences into Zamani, this essay will attempt to correct these omissions and broaden the context of liberation songs.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.007
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.018
Threshold uncertainty score0.039

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0030.007
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0030.003
Science and technology studies0.0140.019
Scholarly communication0.0070.006
Open science0.0010.007
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0070.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.064
GPT teacher head0.312
Teacher spread0.248 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations9
Published2014
Admission routes1
Has abstractyes

Explore more

Same venueJournal of Black StudiesSame topicSouth African History and CultureFrench-language works237,207