MétaCan
Menu
Back to cohort
Record W2033202935 · doi:10.7202/015827ar

Wherewith They Weave a Paradise: Keats and the Luscious Poem

2007· article· en· W2033202935 on OpenAlexvenueno aff
Betsy Winakur Tontiplaphol

Bibliographic record

VenueRomanticism on the Net · 2007
Typearticle
Languageen
FieldArts and Humanities
TopicLiterature: history, themes, analysis
Canadian institutionsnot available
Fundersnot available
KeywordsPoetryArtParadiseLiteratureSpace (punctuation)AestheticsArt historyPhilosophyLinguistics

Abstract

fetched live from OpenAlex

When Wordsworth and Coleridge occupy scanty plots and lime-tree bowers, they do so briefly and out of necessity, but Keats consistently describes islands, burrows, bedrooms, and pavilions dense with leafy and/or commercial luxury. More important, he posits such spaces as models for good verse, which, he contends, should feel “like a little copse.” To describe Keats’s regard for packed luxury (that is, circumscribed sensory excess), I choose the term luscious, a word whose etymological links to lush, plush, delicious, lascivious, and, of course, luxurious, render it uniquely suited to an aesthetic defined, paradoxically, by great (sensory) wealth in little space. The following essay argues that this un-Wordsworthian turn to crowded interiors represents not only a Keatsian thematic preoccupation but also, perhaps counterintuitively, Keats’s most significant formal legacy. Keats’s early connection to Leigh Hunt affiliates him with the luxury-loving bourgeoisie. However, less interested in domestic spaces than poetic ones, Keats rediscovered and redefined the catalogue, or poetic list, in an effort to translate gracious living into luscious verse.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.013
Threshold uncertainty score0.028

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.002
Science and technology studies0.0130.038
Scholarly communication0.0080.007
Open science0.0010.003
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0050.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.014
GPT teacher head0.200
Teacher spread0.186 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2007
Admission routes1
Has abstractyes

Explore more

Same venueRomanticism on the NetSame topicLiterature: history, themes, analysisFrench-language works237,207