MétaCan
Menu
Back to cohort
Record W2043044062 · doi:10.1093/em/cam145

Music for church, stage and salon

2008· article· en· W2043044062 on OpenAlexaboutno aff
Peter Branscombe

Bibliographic record

VenueEarly Music · 2008
Typearticle
Languageen
FieldArts and Humanities
TopicDiverse Musicological Studies
Canadian institutionsnot available
Fundersnot available
KeywordsOperaSalonChoirArtLiteratureQuarter (Canadian coin)PoetrySymphonyMusicologyHistoryVisual artsArt history

Abstract

fetched live from OpenAlex

A very welcome growth in the number and quality of recordings of the works of Giovanni Paisiello has become evident in the last few years. A keen collector will have experienced no difficulty in acquiring CD and even DVD sets of 15 and more of his 80-odd operas, several of them in alternative recordings. This interest has now spread to Paisiello's sacred music as well, hitherto hardly an area that the gramophone companies, or indeed musicologists, had even begun to explore properly. The batch of recordings that awaits me this quarter includes three works by Paisiello: the reasonably familiar short opera La serva padrona (1781), admittedly less often heard than Pergolesi's setting of the same libretto, and two major settings of material from the New Testament, Paisiello: Passio di San Giovanni (Capriccio 60133, rec 2006, 58′), a manuscript score of which at Assisi is dated 1785, and Paisiello: La Passione de Gesù Cristo (CPO 777 257–2, rec 2001, 96′), composed in 1783 and a setting of an old text by Pietro Metastasio. As he was moving towards completion of the commission, Paisiello wrote from St Petersburg to the aged poet, requesting new verses for a closing quartetto concertato to bring the text up to modern requirements. The poet was unable to comply with the invitation to renovate a poem written more than 50 years earlier, and in fact died a few weeks later.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.274
Threshold uncertainty score0.917

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0050.001
Scholarly communication0.0060.002
Open science0.0010.004
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.2740.103

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.204
GPT teacher head0.228
Teacher spread0.024 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2008
Admission routes1
Has abstractyes

Explore more

Same venueEarly MusicSame topicDiverse Musicological StudiesFrench-language works237,207