Bibliographic record
Abstract
THE FOLLOWING DESCRIPTIONS OF BOOKS AND SCORES RECENTLY ACQUIRED BY THE BEETHOVEN CENTER are intended to aid readers in selecting new publications that appeal to their individual interests. Part I, Books for General Reader, encompasses biographies, histories, repertory guides and other reference books, and introductory texts appropriate for music student. Part II, Books for Specialist, lists books with a highly analytical or philosophical focus intended for readers with substantial knowledge of music. In those cases where authors have identified their books as being for general reader or specialist, we have accepted their categorization. Part III lists music manuscript facsimiles (including sketchbooks) and score editions. All book publications are paperbacks unless otherwise noted. To obtain copies of books and benefit Beethoven Center simultaneously, please order them online through MyCause.com . A percentage of sales of books and odier merchandise ordered through MyCause participant dealers (including Barnes and Noble) will benefit American Beedioven Society. For those publications not available through Barnes and Noble, please contact your local bookseller. To order BeethovenHaus publications directly, visit publisher web site . I. Books for General Reader IA. Books in English Bazzana, Kevin. Wondrous Strange: The Life and Art of Glenn Gould. Oxford: Oxford University Press, 2004. 528 pp. ISBN 0-19-517440-2 (hardback). $35. Bazzana's previous volume on Gould, subtitled the performer in work, focused on pianist's art. Here we have a richly documented biography of this fascinating Canadian, whose Goldberg Variations became one of best selling recordings in United States. Gould's relationship with Beethoven's music was somewhat lukewarm, but performances are no less compelling. He recorded all of concertos; several of sonatas; Bagatelles, Opuses 33 and 126; and Variations, Opuses 34, 35, and WoO 80. His recording of solo piano transcription of Fifth Symphony met with mixed reviews. Includes numerous photographs, an extensive bibliography of sources, and index. Buch, Esteban. Beethoven's Ninth: A Political History. Translated by Richard Miller. Chicago: University of Chicago Press, 2003. 327 pp. ISBN 0-226-07812-4. $17. This is a paperback edition of book listed in Recent Beethoven and Beethoven-Related Publications 2001-2003 in Beethoven Journal 18 (2003): 33. Gillespie, John and Anna. Piano Performance Video Recordings on VHS: A Selected Catalog. Lanham, Maryland: Scarecrow Press, 2003. xiv, 1 27 pp. ISBN 0-8108-4577-6. $24.95. This catalog includes about 200 videotaped performances organized by name of pianist. Supplementary lists provide access to collections, competitions, and other performances by more than one person, and to composers. Beethoven's concertos and several of sonatas are well represented by such diverse artists as Glenn Gould and Murray Perahia. The most frequently taped Beethoven work appears to be Appassionata Sonata. Each listing includes a brief evaluative statement of performance with occasional quotes from reviews. Some of listed tapes are still available for purchase, but other older titles may be more difficult to track down. Holoman, D. Kern. The Societe des Concerts du Conservatoire, 1828-1967. Berkeley: University of California Press, 2004. xvi, 620 pp. ISBN 0-520-23604-5 (cloth). $95. Founded by violinist and conductor FrancoisAntoine Habeneck, Societe des Concerts of Paris Conservatory was a leading force in reception of Beethoven's music in France in nineteenth century. This professional orchestra arose from student-organized conservatoire concerts that predominantly featured music of Haydn and Mozart. …
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.001 | 0.001 |
| Scholarly communication | 0.000 | 0.000 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.027 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one teacher head, not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".