“Nearer to the Exercises of Heaven”: Nineteenth-Century Maritime Presbyterians and <i>The Choir</i> (pp 49-87)
Bibliographic record
Abstract
Singing, particularly psalm singing, has enjoyed a lengthy tradition among Christian churches. “Singing God’s praises brings us nearer to the exercises of Heaven than any other service we can engage on earth” proclaimed one nineteenth-century advertisement. Churches as well as singing schools frequently relied on tunes that circulated across countries and oceans through oral transmission and increasingly through printed tune books, as the capacity of printing technologies expanded in the nineteenth century and pricing of books became affordable to larger numbers of citizens. Singing instructions, tunes, and hymns were printed, reprinted, and modified to meet local demand. Music styles that lost favour in some countries continued to flourish in other settings. The first printed music in Nova Scotia, The Harmonicon, was produced in a Presbyterian context in 1838. Three decades later, demand for a new tune book prompted the Synod of the Presbyterian Church of the Lower Provinces of British North America to publish The Choir, a compilation designed to satisfy “a healthy taste for sacred music.” First published in Halifax in 1871, this volume was the mainstay of Maritime Presbyterian congregations for the remainder of the century. This paper traces the history of the production of The Choir, compiled by the church’s Committee on Psalmody. Details about the editions and reprinting of the tune book are provided. The paper concludes with an examination of the contents of the volume, where particular attention is given to elements of the book that illustrate the compilers’ attention to the local audience for which it was intended, including the use of local place names for tune titles, and the inclusion of locally composed tunes and fuging tunes, which were written for an antiquated singing style that persisted in the Maritimes long after it faded from church music in other parts of North America and the United Kingdom.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.001 | 0.001 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.001 | 0.001 |
| Science and technology studies | 0.016 | 0.008 |
| Scholarly communication | 0.004 | 0.002 |
| Open science | 0.001 | 0.002 |
| Research integrity | 0.001 | 0.004 |
| Insufficient payload (model declined to judge) | 0.006 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".