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Record W2221260065 · doi:10.3138/cjh.ach.50.3.rev50

<i>Innocent Weapons: The Soviet and American Politics of Childhood in the Cold War</i>, by Margaret Peacock

2015· article· en· W2221260065 on OpenAlexvenueno aff
Donna Alvah

Bibliographic record

VenueJournal of History · 2015
Typearticle
Languageen
FieldSocial Sciences
TopicCommunism, Protests, Social Movements
Canadian institutionsnot available
Fundersnot available
KeywordsPoliticsAppropriationMultitudeCold warChapelLawSociologyHistoryPolitical scienceMedia studiesArt historyPhilosophy

Abstract

fetched live from OpenAlex

Innocent Weapons: Soviet and American Politics of Childhood in the Cold War, by Margaret Peacock. Chapel Hill, University of North Carolina Press, 2014. 304 pp. $34.95 US (cloth). Margaret Peacock has produced a superb comparative study of images of children constructed and used by Americans and Soviets to maintain or oppose Cold War policies from the end of World War II to the late 1960s. Delving into a multitude of published and archival sources in English and Russian, Peacock deftly illustrates the reworking of images over this period to respond to audiences' new concerns. She also discusses audiences' appropriation of images of children to criticize their nations' Cold War demands and dangers. Images are broadly defined, encompassing conceptualizations of children in print, audio, and visual media. Part I, an Image, Building a Consensus, moves between the US and the USSR within each chapter. Chapter one examines what Peacock calls the Happy, Afforded Child images used to proclaim the superiority of each nation's political and economic systems. In chapter two, Peacock focuses on The 'Other' Child, the image used to represent what each nation was for and against. She also finds that the imagined rival children possessed desirable traits lacking in their own offspring: Americans worried that Soviet children's discipline gave their nation a formidable advantage in the future of the Cold War, while Soviets fretted that American youngsters' freedom and creativity were the foundations of their nation's long-term success. Chapter three first focuses on images of external threats posed by the enemy. Soviets' rhetoric of Cold War external threats stressed unified opposition to the enemy, embodied in alliances between children and youth in communist and post-colonial countries. Yet people in both nations grew concerned that internal threats posed more immediate dangers: faulty parenting characterized by neglecting or spoiling children, and perceived crises of juvenile delinquency, could enfeeble each nation from within. To counter excessive feelings of vulnerability and hopelessness that dwelling on external enemies could generate, Peacock demonstrates in chapter four that image-makers promulgated positive visions of children and youth as activists promoting international friendships. These images assured domestic audiences that children and by extension their nations were not defenseless. second part of the book, Revising an Ideal, further demonstrates the pliability of images of children, now used to question and criticize the Cold War consensus that Soviets and Americans had been pressed to support. Chapter five examines films created between the late 1950s and mid-1960s when the post-Stalin Communist Party permitted greater artistic freedom. Many films from this period featured young protagonists and, though not necessarily intentional, could be interpreted as creating the Soviet government and Cold War's demands on the populace. …

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.001
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.293
Threshold uncertainty score0.503

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0020.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.027
GPT teacher head0.283
Teacher spread0.256 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2015
Admission routes1
Has abstractyes

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