MétaCan
Menu
Back to cohort
Record W2262115886

A Fallen Landmark and the Literary Imagination: The Ryounkaku in Modern Japanese Literature

2013· article· en· W2262115886 on OpenAlexaboutno aff
Noriko Hiraishi

Bibliographic record

Venue文山評論:文學與文化 · 2013
Typearticle
Languageen
FieldSocial Sciences
TopicJapanese History and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsCivilizationModernism (music)EnlightenmentQuarter (Canadian coin)HistoryArt historyLiteratureArtArchaeologyPhilosophy
DOInot available

Abstract

fetched live from OpenAlex

In the early decades of the twentieth century, Tokyo grew rapidly and underwent radical change as it transformed into a ”modern” city. In this paper, I would like to explore the characteristic qualities of Japanese Modernism and post-disaster mentality by focusing on the representations of the Ryounkaku (Palace Rising over the Clouds), Tokyo's first skyscraper, which was destroyed in the 1923 Great Kanto Earthquake, in literary works. Built in the heart of Tokyo's entertainment district (the Ueno/Asakusa area), the Ryounkaku became an important landmark of the ”Civilization and Enlightenment,” and also fostered imaginations towards the mystery genre among writers. After the Great Kanto Earthquake in 1923, the eastern downtown area of Tokyo, one of the most damaged areas, was rebuilt, and Asakusa came back to life as a ”modern quarter.” However, a close examination of fiction written by Edogawa Rampo, Kawabata Yasunari and Kaneko Mitsuharu leads us to another point of view. In their descriptions of the (fallen) Ryounkaku, the narrator's gaze at the building serves as a mediator between the past and the future. These expressions reveal some aspects of the post-disaster mentality.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.002
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.018
Threshold uncertainty score0.036

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.002
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0020.002
Science and technology studies0.0120.029
Scholarly communication0.0080.007
Open science0.0010.004
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.006
GPT teacher head0.229
Teacher spread0.224 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2013
Admission routes1
Has abstractyes

Explore more

Same venue文山評論:文學與文化Same topicJapanese History and CultureFrench-language works237,207