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Record W2293559615 · doi:10.14288/1.0101054

The tsimshian crest system : a study based on museum specimens and the Marius Barbeau and William Beynon field notes

2011· article· en· W2293559615 on OpenAlex
Marjorie M. Halpin

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenuecIRcle (University of British Columbia) · 2011
Typearticle
Languageen
FieldArts and Humanities
TopicArchaeology and Historical Studies
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsField (mathematics)GeographyMathematics

Abstract

fetched live from OpenAlex

This thesis is about the relationship of art and society. Specifically, it investigates Tsimshian crest art and its relationship to social organization. The analytical framework is structural, with explanatory formulations derived in part from the writings of Claude Levi-Strauss and Victor Turner. The study is unusual in that it is based upon museum specimens and records, data not often perceived as amenable to treatment within the context of contemporary social anthropology. It is also the most systematic examination of Northwest Coast iconography yet undertaken. The data include the field notes of Marius Barbeau and William Beynon, collected from the Tsimshian between 1914 and 1957, and preserved in the National Museum of Man. These data were used to construct an iconographic framework or grid within which Tsimshian objects in museums can be identified as crests. The crest system was analyzed as a series of statements about Tsimshian social structure. There are several hundred distinct named crests in the Tsimshian system (these are listed in an appendix), which is considerably more elaborate than the crest systems of their neighbours, the Haida and Tlingit. This elaboration was principally produced by the application of a series of "operators" (attributes) to crest animals in order to produce new forms. Thus, the Haida had a single raven crest, while the Tsimshian had over a dozen (White Raven, Split Raven, All Copper Raven, etc.). Still other forms were produced by merging features of different animals into composite "monsters." This complexity of forms is related in the thesis to a parallel elaboration and complexity in social structure, notably the greater elaboration of ranking and chieftainship in Tsimshian society. An analytical distinction was developed between "crests of differentiation" and "crests of integration." Crests of differentiation are totemic; that is, they employ distinctions between natural species in order to express differences between human descent groups. Crests of integration are iconographically monsters, which blur the natural (species) distinctions upon which totemic systems are based, in order to express integrative tendencies in social organization at both clan and "tribal" levels. A sub-category of complex monster crests was defined and shown to be related to a cannibal theme in Tsimshian mythology. The cannibal was interpreted as a metaphor expressing the redistributive function of the chiefly role. Representations of complex monsters were found on totem poles, house front paintings, frontlets, and raven rattles (the face on its "stomach"). A number of these representations are illustrated. While the focus of the study is crest art, a non-crest iconographic system based on spirit (naxn>’x) names was also defined and illustrated. This iconographic system is presented as the first ethnographically substantiated interpretation of Tsimshian masks.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScience and technology studies
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.705
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0020.002
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.016
GPT teacher head0.154
Teacher spread0.138 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it