MétaCan
Menu
Back to cohort
Record W2302725418 · doi:10.14288/1.0097309

The mask and the hammer : nihilism in the novels of Mishima Yukio

2010· article· en· W2302725418 on OpenAlexaff
Roy Starrs

Bibliographic record

VenuecIRcle (University of British Columbia) · 2010
Typearticle
Languageen
FieldSocial Sciences
TopicJapanese History and Culture
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsNihilismArtHammerPhilosophyEngineeringEpistemologyMechanical engineering

Abstract

fetched live from OpenAlex

This thesis offers an analysis of some of the major novels of Mishima Yukio in the light of their underlying nihilist world-view. There are primarily three different levels to the analysis: philosophical, psychological and moral/political, to each of which a chapter is devoted. In the treatment of each of these "levels" the focus is not merely on the nihilism per se but on the aesthetic consequences of the nihilism in Mishima's art of fiction. An attempt is also made to place Mishima, as a "nihilist writer", within the international context of the nihilist literary/philosophical tradition, a tradition whose origins may be traced back to mid-nineteenth-century Europe. The analysis centres on what are, in the writer's view, Mishima's three major works—which also represent, coincidentally, the three separate decades of his literary career: Confessions of a Mask (Kamen no kokuhaku, 1949), The Temple of the Golden Pavilion (Kinkakuji, 1956) and The Sea of Fertility (Ho jo no umi, 1965-70), a total of six novels, since the latter work is a tetralogy. The study aims not to provide an all-inclusive survey of Mishima's career but to penetrate to the very core of his inspiration through an in-depth study of his most important works. Chapter One, "The Tragic Mask", begins with a general consideration of the relation between philosophy and the novel, or ideas and the novel, and offers a brief taxonomy of the "philosophical novel". Using this taxonomy, a description is then given of Mishima as a philosophic novelist whose central philosophy is nihilism. The main body of the chapter then offers an analysis of each of his three main works in terms of their nihilist philosophy, paying particular attention to its expression in "experiences of nothingness" which form the climaxes of the novels, and to the structural discipline which his use of this philosophy confers on the novels. Chapter Two, "The Void Behind the Mask", opens with a general discussion of the relation between nihilism and psychology, and then proceeds to a consideration of Mishima's own "nihilist psychology" and the "nihilist psychology" of his novels. Each of his major novels, whether explicitly "autobiographical" or more apparently "fictional", is found to be primarily an expression of the author's own "nihilist psychology". The active/passive tensions which characterize this psychology are analysed in Freudian, Adlerian and peculiarly Japanese terms. Chapter Three, "Hammer to Mask", opens with a general consideration of nihilist morality and politics, especially in terms of the "active nihilist" tradition which may be traced from Nietzsche down to 20th century fascism and terrorism. Mishima's own right-wing extremism and his glorification of terrorist violence place him squarely in this "active nihilist" moral/political tradition. But his "active nihilist" side was also continually in danger of being undermined by his "passive nihilist" side, his sense of the futility of all action. The resultant tensions are found to form the basis of the moral/political dialectic of his major novels.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.819
Threshold uncertainty score0.804

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.002
Scholarly communication0.0000.000
Open science0.0010.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.007
GPT teacher head0.181
Teacher spread0.175 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2010
Admission routes1
Has abstractyes

Explore more

Same venuecIRcle (University of British Columbia)Same topicJapanese History and CultureFrench-language works237,207