Bai Juyi (Bai Lo Tian) 易居白 772-846AD Tang Dynasty poet, midst everyday life, musings on the ordinary, influences of the not so obvious
Bibliographic record
Abstract
Bai Juyi (易居白, 772-846AD) was one of the greatest scholar-intellectuals and poets of China‘s Tang dynasty period (朝唐, 618-907 AD). He is generally considered to be one three most outstanding poets of his day, alongside Tu Fu(杜甫712-770) and Li Bai(李白 701-762). Arguably, he was by far the most popular amongst the general population. The aim of this thesis is to describe the poet‘s life, using as much as possible his own poetry and prose to provide a lens for Bai‘s sensitivity to those socio-cultural forces, particularly Buddhism, that powerfully influenced his desire to be effective and of value to his society and his family while seeking inner peace and tranquility. The ideological flux of Confucianism, Taoism and Buddhism permeated Bai‘s entire spiritual and psychological being, warring with a continual awareness of his self-proclaimed political and administrative incompetence. These ideologies are discussed in the context of the poet‘s life. His inner and outer life is regarded, indeed scrutinized, through the poet‘s own words as he candidly and poignantly deals with the great issues of loyalty and service to the sovereign, compassion for the sufferings of the common people, responsibility to family and friends, and the insatiable and driving need to write poetic verse. Buddhism reached its peak as a social force during the mid-Tang period around the reign of Empress Wu (武后reign period 684-705, lived 609-705). The evolution of Chan (禪) and other variant forms of Mahayana Buddhism is briefly studied while citing the monumental contributions of Fazang (法藏643-712) of the Hua Yan School (華嚴) and Hui Neng (慧能638-713) of the Chan School. Bai‘s own philosophical interests and religious proclivities seem derivative of his times. The influence of these ideological fluxes and social tensions, coupled with a growing awareness of his own mortality, is clearly evidenced in Bai Juyi‘s poetry and memorials. His temple poem You Wu Zhen Si Shi (詩寺真悟遊) will be examined closely to reflect some of these impressions.
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.000 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.002 | 0.001 |
| Scholarly communication | 0.001 | 0.001 |
| Open science | 0.000 | 0.001 |
| Research integrity | 0.000 | 0.001 |
| Insufficient payload (model declined to judge) | 0.012 | 0.002 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".