If this is your land, where is your camera?: Atanarjuat, The Journals of Knud Rasmussen and post-cinematic adaptation
Why this work is in the frame
A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.
Bibliographic record
Abstract
Abstract As unique examples of the contemporary, transnational art film, Zacharias Kunuk and Norman Cohn’s Atanarjuat (2001) and The Journals of Knud Rasmussen (2006) are stylistically distinct, their formal differences traceable to each film’s provenance as an adaptation of a specific type: Atanarjuat adapts an Inuit myth; The Journals of Knud Rasmussen sections of the ethnographer’s actual journals. At the same time, as remediations of radically different media forms, these films can be read according to the categories outlined by Jan Assmann, respectively, embodying ‘the normative and formative values of a community, its “truth”’, answering the questions ‘Who are we?’ and ‘What shall we do?’. These films also correspond to Astrid Erll’s categories of memory-productive and memory-reflexive film, respectively, reflecting formally and thematically upon Inuit cultural memory in the digital era. This article explores the myriad implications for cultural memory of this marriage of cutting-edge digital video technology with ancient themes and folkways, in effect a pre-literate ‘oral’ culture translated seemingly wholesale to the screen. I consider these Inuit films in terms of the question of cultural memory as it becomes trans-cultural, and national cinema as it becomes trans-national, while the local and ‘indigenous’ find representation at a level of global legibility.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.002 | 0.000 |
| Meta-epidemiology (narrow) | 0.000 | 0.000 |
| Meta-epidemiology (broad) | 0.000 | 0.000 |
| Bibliometrics | 0.000 | 0.000 |
| Science and technology studies | 0.000 | 0.000 |
| Scholarly communication | 0.000 | 0.001 |
| Open science | 0.000 | 0.000 |
| Research integrity | 0.000 | 0.000 |
| Insufficient payload (model declined to judge) | 0.001 | 0.000 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it