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Record W2336042378 · doi:10.14288/1.0165696

Homa Bay Memories : using research-based theatre to explore a narrative inheritance

2013· article· en· W2336042378 on OpenAlexaffabout
Graham W. Lea

Bibliographic record

VenuecIRcle (University of British Columbia) · 2013
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsNarrativeInheritance (genetic algorithm)BayComputer scienceSociologyHistoryArtLiteratureBiologyGeneticsGene

Abstract

fetched live from OpenAlex

In her article When Missions Became Development: Ironies of ‘NGOization’ in Mainstream Canadian Churches in the 1960s (2010), Ruth Compton Brouwer discusses the move from a missionary to a secular focus in international development. To personalize this transition she tells the story of a high-school friend who, instead of following her uncle into missionary work, joined a secular Non-Governmental Organization to teach in Kenya. Compton Brouwer’s unnamed friend was my mother and the stories of her Kenyan experiences became a significant part of my narrative inheritance (Goodall, 2005). Inspired by these stories I engaged with my narrative inheritance, travelling to, and teaching in Kenya as a part of my teacher training. At the heart of this dissertation is Homa Bay Memories, a theatrical script developed using research-based theatre and narrative inquiry to explore my and my mother’s Kenyan experiences almost forty years apart. This exploration is based on letters, photos, and audio recordings left behind by my mother after her death as well as artifacts and memories of my Kenyan experiences. Through this scripted research I seek a deeper understanding of a little known but influential part of my mother’s life and how her experience has, and continues to, shape my life. Developing the script Homa Bay Memories also provided an opportunity to critically engage with research-based theatre as a methodology. Saldaña (2010) notes a lack of accounts detailing the development and “critical decision-making processes” (p. 4) encountered in research-based theatre projects. I address this gap through a careful examination of the development of Homa Bay Memories. The methodological exploration becomes the spine of this dissertation as I closely examine key moments, tensions, and decisions I faced while crafting and conceptualizing this research for the stage. These experiential and methodological contributions are theoretically informed by Bakhtin’s notion of chains of utterances (1986). This theoretical lens suggests a relentless rationality and “unfinalizability” (Holquist, 2002, p. 195) that characterizes both the understandings and presentation of the research. The dissertation concludes by suggesting possible evaluative entry points into the work.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.007
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: Qualitative
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.014
Threshold uncertainty score0.034

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0040.007
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0000.001
Bibliometrics0.0010.001
Science and technology studies0.0140.024
Scholarly communication0.0070.007
Open science0.0020.008
Research integrity0.0020.004
Insufficient payload (model declined to judge)0.0070.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.067
GPT teacher head0.239
Teacher spread0.172 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations9
Published2013
Admission routes2
Has abstractyes

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