A democracia entre guerra e paz: o riso amargo de Aristófanes
Bibliographic record
Abstract
<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>Este artigo visa desenvolver um estudo comparativo entre duas comédias aristofânicas, <em>Os Acarnenses</em> e <em>Os Cavaleiros</em>, trazendo à luz a construção do pensamento crítico de Aristófanes acerca da democracia ateniense de seu tempo. A análise dos textos centra-se na convergência de ambos enquanto reveladores de contradições inerentes às práticas democráticas atenienses em tempos de guerra. Problematiza-se de forma complementar a dicotomia público/privado, em <em>Os Acarnenses</em>, e a relação entre o povo e seus governantes, em <em>Os Cavaleiros</em>. O diálogo entre ambos os textos é explorado não só na sátira amarga de Aristófanes, mas na solução única que deles emerge para um tempo de guerra e um sistema político em crise: a consumação da paz.</span></p><p><span><br /></span></p><div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span><strong>Democracy, war and peace: the bitter laughter of Aristophanes</strong> </span></p></div></div><div class="section"><div class="layoutArea"><div class="column"><p><strong>Abstract </strong></p></div></div><div class="layoutArea"><div class="column"><p><span>This article aims to develop a comparative study between two comedies of Aristophanes, The Acharnians and The Knights, bringing to light the building of critical thinking of Aristophanes concerning Athenian democracy of his time. The analysis of the text focuses on the convergence of both as revealing contradictions in Athenian democratic practices in times of war. This article also examines the dichotomy public / private in The Acharnians and the relationship between the people and their rulers, in The Knights. The dialogue between the two texts is explored not only in the bitter satire of Aristophanes, but in the only solution that appears in both texts regarding a time of war and a political system in crisis: the consummation </span>of peace.</p></div></div></div><div class="layoutArea"><div class="column"><p><span><strong>Keywords:</strong> Aristophanes; comedy; democracy; Acharnians, Knights. </span></p></div></div></div><p><span><br /></span></p></div></div></div>
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How this classification was reachedexpand
Full frame distilled prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.
Codex and Gemma teacher scores by category
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.005 | 0.004 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.002 | 0.001 |
| Bibliometrics | 0.000 | 0.001 |
| Science and technology studies | 0.002 | 0.001 |
| Scholarly communication | 0.001 | 0.000 |
| Open science | 0.002 | 0.000 |
| Research integrity | 0.001 | 0.002 |
| Insufficient payload (model declined to judge) | 0.002 | 0.002 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; both teacher heads agree on what is shown here.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".