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Record W2502018977 · doi:10.1017/cbo9781316091722.044

John Weever, <i>Ancient Funeral Monuments</i> (1631)

2016· book-chapter· en· W2502018977 on OpenAlexaff
William E. Engel, Rory Loughnane, Grant Williams

Bibliographic record

VenueCambridge University Press eBooks · 2016
Typebook-chapter
Languageen
FieldArts and Humanities
TopicHistorical Art and Culture Studies
Canadian institutionsCarleton University
Fundersnot available
KeywordsPublishingArtClassicsBent molecular geometryArt historyHistoryLiteratureAncient historyEngineering

Abstract

fetched live from OpenAlex

About the author John Weever (1575/6–1632) endeavoured to launch a literary career in London, where he became embroiled in the Poetomachia, the notorious quarrel of the Elizabethan playhouses. He wrote three books of a satiric bent and two of a religious nature, before publishing his work on epitaphs three decades later. About the text If the seventeenth century saw the ascendancy of the epitaph as a genre, Weever's 900-page folio constitutes the genre's greatest treasure trove and shrine. This massive contribution to early modern antiquarianism catalogues funeral monuments from the dioceses of Canterbury, Rochester, London and Norwich by compiling transcriptions and observations gleaned from Weever's studies and travels. In his epistle to the reader, Weever acknowledges the network of scholars and libraries that made possible his work and even goes so far as to invite his readers to collect, on his behalf, notes of local inscriptions; he not only travelled extensively throughout England and Scotland but also visited continental sites in order to gather material for his research. His book, however, should not be anachronistically read through the prism of any modern presupposition of historical objectivity. It disposes textual artefacts into a compendium stamped with his own style and personality – somewhat in the vein of those polymathic digressers Burton and Browne. Weever enunciates an early imperative for the preservation and conservation of stone records out of a desire to protect the nation state through memory. The arts of memory The two excerpts are taken from Weever's prefatory discourse, where he expounds upon the history of ancient and medieval burial rites, funeral monuments and sepulchres, besides the vandalism and violation done to these structures. The first excerpt – the beginning of the opening chapter ‘Of monuments in general’ – spans the broad terrain that the word ‘monument’ covers in the period. All cultural work seems to have a monumentalising capacity. Ultimately, Weever privileges inscription over visual image not just because he had a poet's ear for verse but because he was following the lead of his fellow antiquarians, who conceived of the monument in terms of epigrammatic wit. Weever thus offers little description of the architecture of the tombs he visited, concentrating instead on the epitaphs that they bore. In this regard, his project walks a fine line.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.027
Threshold uncertainty score0.092

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0040.002
Scholarly communication0.0030.003
Open science0.0000.001
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0270.007

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.025
GPT teacher head0.172
Teacher spread0.147 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2016
Admission routes1
Has abstractyes

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