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Record W2564966715 · doi:10.1111/rest.12269

<i>Love and graves between Arquà and Avignon: a further contribution to the</i> ‘Tombaide’ <i>(1540) launched by Alessandro Piccolomini</i>

2016· article· en· W2564966715 on OpenAlex
Johnny L. Bertolio

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

affAt least one author lists a Canadian institution in the pinned OpenAlex snapshot.

Bibliographic record

VenueRenaissance Studies · 2016
Typearticle
Languageen
FieldArts and Humanities
TopicRenaissance and Early Modern Studies
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsPoetrySonnetVenerationCultContext (archaeology)LiteratureArtWifeApotheosisPerformance artHistoryArt historyClassicsPhilosophyAncient historyTheologyArchaeology

Abstract

fetched live from OpenAlex

When Alessandro Piccolomini (1508‐79) visited Petrarch's tomb in 1540, he composed a sonnet that was to launch a poetic exchange between fellow literati in his hometown of Siena and in the university town of Padua, where he was currently a student. Some decades later, another Sienese literato, Lattanzio Benucci (1521‐98), wrote a response sonnet closely following Piccolomini in structure, but adopting a different perspective – Benucci's poem does not pay homage to Petrarch's tomb, but to Laura's. This article will bring to light this previously unknown contribution to what has become known as the ‘ Tombaide ’ of 1540, and discuss the context in which it was composed. In the background lay the growing interest in the places associated with Petrarch and, more specifically, the alleged discovery of Laura's remains in Avignon in 1533. In composing a paean to Laura's tomb, Benucci may well have had his own Laura in mind, that is, his wife Dorotea Tancredi. At the crossroads of poetry and love, of the religious veneration for saints and the secular cult of literature, Benucci's poem illustrates not only an attempt to revive an earlier poetic exchange, but also a complex episode of cultural history in sixteenth‐century Europe.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.243
Threshold uncertainty score0.809

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.039
GPT teacher head0.267
Teacher spread0.228 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it