MétaCan
Menu
Back to cohort
Record W2587189093

Who's knocking in my little house? Ursula Dabrowsky's Inner Demon (2014)

2016· article· en· W2587189093 on OpenAlexaboutno aff
Donna McRae

Bibliographic record

VenueDeakin Research Online (Deakin University) · 2016
Typearticle
Languageen
FieldEconomics, Econometrics and Finance
TopicCinema and Media Studies
Canadian institutionsnot available
Fundersnot available
KeywordsFilm directorFilmmakingMovie theaterDemonContext (archaeology)Film industryArchetypeMiracleArtGirlArt historyGender studiesMedia studiesSociologyAestheticsHistoryLiteraturePsychologyLawPolitical science
DOInot available

Abstract

fetched live from OpenAlex

In recent years the international film industry’s attention has turned to highlighting the lack of gender equality in filmmaking. There has been much discussion on ways to increase production led by female filmmakers, and continuing pressure applied to various film festivals to exhibit their finished works. In Australia, this disunion has already been noticed and some Australian funding bodies are now compliant. So why are female led films the exception rather than the rule? Why are there only a handful of A-listed actresses that are entrusted to open films that wear the mantel of ‘women’s film or chick-flick”? In horror film circles the same problems arise: apart from the strong Final Girl archetype, female characters are often side-lined to be a girlfriend or victim that is at the mercy of the stronger male characters, or worse, an insane harridan whose film is categorised under the ‘psycho biddy’ subgenre. This article closely considers Canadian filmmaker Ursula Dabrowsky, a filmmaker based in Adelaide, Australia, in both the context of gender representation in her film Inner Demon (2014) and in terms of her status as a woman making genre cinema in the context of the contemporary Australian film industry.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.002
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.524
Threshold uncertainty score0.957

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0020.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0200.009
Scholarly communication0.0060.004
Open science0.0010.004
Research integrity0.0020.007
Insufficient payload (model declined to judge)0.0120.003

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.080
GPT teacher head0.292
Teacher spread0.213 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2016
Admission routes1
Has abstractyes

Explore more

Same venueDeakin Research Online (Deakin University)Same topicCinema and Media StudiesFrench-language works237,207