MétaCan
Menu
Back to cohort
Record W2594814518

A Selected Bibliography of Writing on Performed Ethnography and Research-Informed Theatre by Tara Goldstein

2013· article· en· W2594814518 on OpenAlexaboutno aff
Tara Goldstein

Bibliographic record

VenueTSpace (University of Toronto) · 2013
Typearticle
Languageen
FieldArts and Humanities
TopicTheatre and Performance Studies
Canadian institutionsnot available
Fundersnot available
KeywordsEthnographyBibliographySociologyVisual artsHistoryArtAnthropologyLibrary scienceComputer science
DOInot available

Abstract

fetched live from OpenAlex

Performed ethnography which is also known as performance ethnography and ethnodrama, involves turning the findings of ethnographic research into a play script that can be read aloud by a group of participants or performed before audiences.As a researcher who has been trained as an educational ethnographer within anthropological traditions, I locate performed ethnography within the literary turn of American anthropology in the mid-1980s-early 1990s as an example of Beharian anthropology.It can also be seen as an example of postmodern/postfoundational qualitative research within the literature of contemporary qualitative research methods.My own work with performed ethnography began in the late 1990s with an ethnographic play I wrote from my ethnographic research project on multilingualism and schooling called Hong Kong, Canada "performed ethnography".Two years later, I wrote a second ethnographic play script, Snakes and Ladders, from an ethnographic research project on homophobia and schooling.Readers and spectators of my performed ethnographies have included school administrators, teachers, and students, community educators and the general public.In 2004, I enrolled in a MFA playwriting program at Spalding University to develop my skills as a playwright.After completing the degree in 2006, I began to write other kinds of research-informed play scripts working with research that did not come from own ethnographic projects and/or did not use ethnographic research methods.For example, my play Lost Daughter is based on interviews and written documentation undertaken by other social science researchers and my play Zero Tolerance is a dramatic adaptation of an investigative report on school safety.I use the term research-informed theatre to describe these projects, which can still be read aloud or performed, and are still usually followed up by discussion.RESEARCH-INFORMED PLAY SCRIPTS (Some scripts available on www.gaileyroad.comand on T-Space: https://tspace.library.utoronto.ca)Goldstein, T. (2012) Ana's Shadow (transnational adoption in a same-sex/queer family) Goldstein, T. (2010) Speaking is a Political Act (an adaptation of an academic essay) Goldstein, T. (2010) Harriet's House (transnational adoption in a same-sex/queer family) Goldstein, T. (2008).Zero Tolerance (an adaptation of a report on school safety) Goldstein, T. (2008).Lost Daughter (Canadian anti-Semitism in the 1930s) Goldstein, T. (2007).Pound Predators (women, fat bodies and weight loss) Goldstein, T. (2004) Alliance (30-minute adaptation of Snakes and Ladders) Goldstein, T. (2004) The Card (10-minute adaptation of Snakes and Ladders) Goldstein, T. (2004/2010) Snakes and Ladders (homophobia and activism at school) Goldstein, T. (2003) Satellite Kids (immigration, language issues at school)

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.011
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.017
Threshold uncertainty score0.057

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0040.011
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0100.013
Science and technology studies0.0050.005
Scholarly communication0.0060.005
Open science0.0010.003
Research integrity0.0020.003
Insufficient payload (model declined to judge)0.0170.006

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.031
GPT teacher head0.260
Teacher spread0.229 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2013
Admission routes1
Has abstractyes

Explore more

Same venueTSpace (University of Toronto)Same topicTheatre and Performance StudiesFrench-language works237,207