Amore punito e disarmato. Parola e immagine da Petrarca all’Arcadia
Bibliographic record
Abstract
While undeniably a work of vast erudition and great scholarly accomplishment, supported by a rich bibliography, Lucioli's study (2013 winner of the "Premio Tesi di Dottorato, " a prize established by the Sapienza Università of Rome) is perhaps hobbled by its original conception as a dissertation, a form that can tend to polycentrism and to the over-analysis of nuance at the expense of a unifying vision.Presented in six chapters followed by an iconography section, a bibliography, and an index of names, this valuable contribution focuses on the topos of Cupid's defeat as the God is robbed (mostly by women) of his arms-imagery that proved surprisingly resonant in Italian literature from the fourteenth to the eighteenth century.This theme or, rather, mythologeme, indeed enjoyed a sustained and healthy circulation, as Lucioli amply and convincingly demonstrates.Given the historical and geographical span of its scope, the first section of this work is difficult to summarize.Entitled "Mito e allegoria: le fonti classiche e la loro ricezione" (Myth and allegory: classical sources and their reception), it evokes the origins of the literary cliché in question.Highlighting the two original cores of the mythologeme, namely the imprisonment of Cupid and then his punishment, Lucioli surveys a panoply of texts: the Cupido Cruciatus by Ausonius, the Anthologia Graeca, the lyric production of Anachreon, Lucian's Dialogue of the Gods, the Elegies of Tibullus and Propertius, the Metamorphosis of Apuleius, a poem by Modestinus, and, obviously, Ovid's love-themed works.The scholar also briefly explains how the topos was received during the Renaissance and interpreted more as a "triumph of chastity" than a "punishment of love."The latter theme, as well as several insightful forays into the iconography and iconology of Cupid's debacle, occupy the two following chapters, titled respectively "Il Triumphus Pudicitie: modelli e rappresentazione" (The Triumphus Pudicitie: models and representation) and "Parola e immagine nell'età dell'Umanesimo" (Word and image in the age of Humanism).The chapters in question are the true heart of Lucioli's work: brilliantly investigating, from Petrarch's Triumphus Pudicitie to the poems in ottava rima by Luigi
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How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.003 | 0.008 |
| Meta-epidemiology (narrow) | 0.001 | 0.001 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.002 | 0.002 |
| Science and technology studies | 0.007 | 0.006 |
| Scholarly communication | 0.007 | 0.006 |
| Open science | 0.001 | 0.004 |
| Research integrity | 0.004 | 0.009 |
| Insufficient payload (model declined to judge) | 0.035 | 0.012 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".