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Record W2603995442 · doi:10.17132/2377-231x.1047

Ultramontane Piety and Catholic Sociability: The Prescription and Practice of Identity in Acadian Patriotic Songs

2017· article· en· W2603995442 on OpenAlexaboutno aff
Jeanette Gallant

Bibliographic record

VenueYale Journal of Music & Religion · 2017
Typearticle
Languageen
FieldSocial Sciences
TopicCanadian Identity and History
Canadian institutionsnot available
Fundersnot available
KeywordsPietyProtestantismColonialismIdentity (music)Gender studiesNational identityFlourishingPopulationPoliticsSociologyHistoryAestheticsPolitical scienceLawArt

Abstract

fetched live from OpenAlex

The emergence of ultramontane thought during the Catholic Enlightenment in eighteenth-century France had wide-reaching effects in Catholic communities beyond Europe. One such community was a francophone colonial minority population in Atlantic Canada called the Acadians who, as Canada became a nation-state in the second half of the nineteenth century, came under the control of ultramontane nationalists working to protect Acadian cultural rights from the English-speaking Protestant majority. This paper looks at the role that music played in the transmission of ultramontane thought with these new socio-political circumstances. The Acadians, exiled for seven years during Canadian colonization, were resettled in disparate groups and on lands different than their original territories. Because the Acadians encountered economic difficulties during nineteenth-century Canadian industrialization, this made them an ideal candidate for the missionary activities of ultramontanes in Canada who used Acadian patriotic song in Acadian schools and print culture to prescribe a church-centred sense of national identity. For instance, Acadian patriotic song served to discourage Acadians from emigrating to find work in urban centres through the valorization of a rural identity which cautioned against the perils and heterodoxy of Protestant materialism. Acadian patriotic song also taught a new form of piety where notions of temperance and forgiveness were introduced to counteract the emotionality of the Acadian deportations and help the Acadians envision a brighter socio-economic future. This investigation examines not only how European musical forms and tonal conventions were used to musically construct an image of the nation, but how the performance of Acadian patriotic song aided in the practice of identity within this new context of Catholic sociability.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.003
metaresearch head score (Gemma)0.002
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.639
Threshold uncertainty score0.633

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0030.002
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0010.001
Scholarly communication0.0000.001
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.020
GPT teacher head0.292
Teacher spread0.272 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2017
Admission routes1
Has abstractyes

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Same venueYale Journal of Music & ReligionSame topicCanadian Identity and HistoryFrench-language works237,207