MétaCan
Menu
Back to cohort

Transformation in Post-Tonal Music

2014· book-chapter· en· W2701979663 on OpenAlexaff
John Roeder

Bibliographic record

VenueOxford University Press eBooks · 2014
Typebook-chapter
Languageen
FieldArts and Humanities
TopicMusicology and Musical Analysis
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsCounterpointTransformational leadershipMusicalHarmony (color)Music theoryVariety (cybernetics)Musical compositionMusical formMusic and emotionEpistemologyCognitive scienceLinguisticsAestheticsSociologyMusic historyPsychologyComputer scienceArtLiteratureVisual artsPhilosophyArtificial intelligenceSocial psychology

Abstract

fetched live from OpenAlex

Abstract Post-tonal music (loosely, most Western art-music compositions since the turn of the 20th century) manifests many organizational techniques but not the processes of harmony and counterpoint that direct and articulate time in tonal music. Of the diverse theories for explaining this music, the theory of musical transformations is especially productive. Not only does its notion of a transformational graph offer a powerful, hierarchical view of musical relationships, but it also embraces a processive attitude toward musical form that has broad applicability. This article identifies four specifically temporal aspects of transformational theory that have been neglected in the recent literature and demonstrates how they can inform understanding of a variety of post-tonal music much more recent than the modernist works to which the theory has mostly been applied. The demonstrations proceed through detailed analytical consideration of compositions by Kurtág, Adams, Adès, Sheng, Haas, and Saariaho.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.001
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.010
Threshold uncertainty score0.032

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0000.001
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0010.006
Scholarly communication0.0030.002
Open science0.0010.001
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0100.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.032
GPT teacher head0.179
Teacher spread0.146 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations2
Published2014
Admission routes1
Has abstractyes

Explore more

Same venueOxford University Press eBooksSame topicMusicology and Musical AnalysisFrench-language works237,207