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Identity and Collective Memory: Theatre’s Role in Memorializing the War

2013· article· en· W2734542435 on OpenAlexaboutno aff
Alison Bowie

Bibliographic record

VenueThe International Journal of Social Political and Community Agendas in the Arts · 2013
Typearticle
Languageen
FieldSocial Sciences
TopicPhilippine History and Culture
Canadian institutionsnot available
Fundersnot available
KeywordsIdentity (music)Collective memoryCollective identityHistoryAestheticsArtSociologyMedia studiesPolitical scienceLawPolitics

Abstract

fetched live from OpenAlex

Throughout history, the arts have helped shape society's understanding of self. The end of each of the World Wars created a cauldron for changing - or shaping -identities. As we are on the brink of losing the last of the World War I generation, we are faced again with a period of changing identities. We are moving from a period of living to archival history. How will we remember the past? Although Canada continues to be part of the Dominion and fought alongside England during both World Wars, these two countries experienced war very differently. For Canada, World War I was about proving itself as a new country and shaping national identity. For England, it was about demonstrating its power and performing its imperialist identity. These different voices-the colonial voice of Canada and the Imperialist voice of England - are clearly evident in the theatre written about how these two countries experienced World War I. This paper focuses on one play from Canada - Vern Thiessen's Vimy - in order to demonstrate how theatre can illustrate national identity and can serve as a collective memory for World War I.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.005
metaresearch head score (Gemma)0.009
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.026
Threshold uncertainty score0.053

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0050.009
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.001
Bibliometrics0.0010.001
Science and technology studies0.0260.034
Scholarly communication0.0180.006
Open science0.0020.013
Research integrity0.0030.007
Insufficient payload (model declined to judge)0.0110.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.054
GPT teacher head0.339
Teacher spread0.286 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2013
Admission routes1
Has abstractyes

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Same venueThe International Journal of Social Political and Community Agendas in the ArtsSame topicPhilippine History and CultureFrench-language works237,207