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Record W2775420635 · doi:10.16997/book11.i

Branding, Selfbranding, Making: The Neototalitarian Relation Between Spectacle and Prosumers in the Age of Cognitive Capitalism

2017· book-chapter· en· W2775420635 on OpenAlexaboutno aff
Nello Barile

Bibliographic record

VenueUniversity of Westminster Press eBooks · 2017
Typebook-chapter
Languageen
FieldEconomics, Econometrics and Finance
TopicDiverse academic and cultural studies
Canadian institutionsnot available
Fundersnot available
KeywordsSpectacleCapitalismRelation (database)CognitionSociologyAestheticsPsychologyPolitical scienceArtEconomicsMarket economyComputer scienceNeuroscienceLaw

Abstract

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This paper analyses the process of consumer’s cognitive exploitation in which the consumer is at the same time the centre of the universe peopled by global brands and the victim of a sort of identity burglary. This process became visible during the 1990s with a revolutionary approach of companies to communication and advertising (Klein, 2000), but it became even stronger recently with the emergence of a new digital economy based on the centrality of UGC (Users Generated Contents) and with the blurring of boundaries between virtuality and reality (Jurgenson 2011). Everything started with the fetishization of consumer’s experiential field (Barile 2009), of his emotional capital (Illouz 2007) and also of other abstract categories such as the ‘social’ (Lovink, 2011) or the amateur’s creativity (Keen 2007). Adopting the same democratic rhetoric, the system was able to implement a full cognitive exploitation of users (Formenti 2011). The paper describes the evolution from the hegemony of global brands through self-branding logic – based on the transformation of emotions in a competitive resource (Barile, 2012) – to the actual productive and participative emancipation of the makers (Gauntlett 2011). Notwithstanding this ‘linear’ evolution, the aims of makers could be turned into a new form of exploitation in which production is externalized into the consumption, and the cognitive hegemony of global brands that is empowered by a hyper-sophisticated storytelling. References Barile, Nello. 2009. Brand new world. Il consumo delle marche come forma di rappresentazione del mondo. Milano: Lupetti. Barile, Nello. 2012. ‘The Age of Personal Web TVs. A Cultural Analysis of the Convergence between Web 2.0, Branding and Everyday Life’. In A. Abruzzese et al. eds, The New Television Ecosystem. Berlin: Peter Lang. Formenti, Carlo. 2011. Felici e sfruttati. Capitalismo digitale ed eclissi del lavoro. Milano: Egea.Gauntlett, David. 2011. Making is Connecting, The Social Meaning of Creativity, from DIY and Knitting to YouTube and Web 2.0. Cambridge: Polity Press. Illouz, Eva. 2007. Cold Intimacies: The Making of Emotional Capitalism. Oxford: Polity Press Keen, Andrew. 2007. The Cult of the Amateur: How Blogs, MySpace, YouTube, and the Rest of Today’s User-Generated Media are Destroying our Economy, our Culture, and our Values. New York: Doubleday. Klein, Naomi. 2000. No Logo: Taking Aim at the Brand Bullies. Toronto: Knopf. Jurgenson, Nathan. 2011. ‘Digital dualism and the fallacy of web objectivity’, in http://thesocietypages.org/cyborgology/2011/09/13/digital-dualism-and-thefallacy- of-web-objectivity Lovink, Geert. 2011. Networks Without a Cause: A Critique of Social Media. Cambridge: Polity.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.004
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.014
Threshold uncertainty score0.031

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0040.005
Meta-epidemiology (narrow)0.0010.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.001
Science and technology studies0.0050.051
Scholarly communication0.0140.021
Open science0.0010.008
Research integrity0.0030.004
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.075
GPT teacher head0.222
Teacher spread0.147 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designTheoretical or conceptual
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

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Citations15
Published2017
Admission routes1
Has abstractyes

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