Bibliographic record
Abstract
Abstract Parallels are discussed between the Biblical (Jewish and then Christian) use of ‘stumbling stone’ and Shklovsky’s thisworldly notion of estrangement – ‘making the stone stony.’ To Shklovsky’s esthetic salvation through estranged perception, Brecht adds value criteria from salvational politics, using, for example, in The Caucasian Chalk Circle a Marxist figuralism, which rationalizes the sensual body. However, estrangement as a formal device which doubts the present norms is ideologico-politically ambiguous: in the Brecht or Marxist wing it is ‘critical,’ but in other hands it may be ‘mythical’: Hamsun, Jünger, Pound, and the Iranian Ta’ziyeh play use it with a lay or religious proto-fascist horizon. The final section follows Timpanaro’s insistence on biological death as not fully reducible to politics in the usual sense, and juxtaposes stumbling, death, and creative eros as politics. In spite of Hegel’s insistence on death as a powerful negative, it is a blind spot in canonical Marxism. Even Ernst Bloch, positing hope as the central principle, does not fully engage with it, though I mention some initial useful leads from him, Brecht, and Jameson. We are left with the Freudian topology pitting eros against thanatos, and the essay closes on a discussion of Marvell’s To His Coy Mistress.
Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.
How this classification was reachedexpand
Full frame machine prediction
Teacher imitationNot calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.
Distilled classifier scores by category (both heads)
| Category | Codex | Gemma |
|---|---|---|
| Metaresearch | 0.004 | 0.006 |
| Meta-epidemiology (narrow) | 0.001 | 0.000 |
| Meta-epidemiology (broad) | 0.001 | 0.000 |
| Bibliometrics | 0.003 | 0.003 |
| Science and technology studies | 0.009 | 0.039 |
| Scholarly communication | 0.010 | 0.010 |
| Open science | 0.001 | 0.007 |
| Research integrity | 0.002 | 0.004 |
| Insufficient payload (model declined to judge) | 0.009 | 0.001 |
Machine scores (provisional)
The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.
Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.
score_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from itClassification
machine, unvalidatedMachine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.
How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".