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Record W2799308435 · doi:10.7202/1044373ar

Réflexions sur la comprovisation de Sandeep Bhagwati : théorie et pratique

2018· article· fr· W2799308435 on OpenAlex

Why this work is in the frame

A frame that forgets how it found something cannot be audited. These are the routes that admitted this work.

venuePublished in a venue whose home country is Canada.
no affNo Canadian affiliation: this work is invisible to an affiliation-only frame.
No Canadian affiliation. An affiliation-only frame, the usual design, would never have seen this work. It is one of the works that make the case for inverting the frame.

Bibliographic record

VenueCircuit Musiques contemporaines · 2018
Typearticle
Languagefr
FieldSocial Sciences
TopicContemporary art, education, critique
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesPhilosophyArt

Abstract

fetched live from OpenAlex

La « comprovisation » est un terme utilisé par Sandeep Bhagwati depuis 2004, créé par la combinaison des mots « composition » et « improvisation » et servant à clarifier la coexistence systématique entre ces deux pratiques. Cet article démontre de quelle façon ce concept de Bhagwati peut être utilisé comme un concept artistique, une façon collective de faire de la musique, une façon de travailler et un modèle d’entraînement. La comprovisation propose une nouvelle formulation des tâches et des rôles des participants dans l’idée d’une pièce collaborative, une formulation consistente dans le processus de répétition d’une oeuvre mise en scène. Avec cette idée, on s’approche considérablement de l’idée de base de « faire de la musique ensemble » (Alfred Schütz, Christopher Small). Ce qui est nouveau ici est l’orientation transculturelle ou interculturelle. La comprovisation invite à expérimenter avec les frontières des musiques et des cultures actuelles, avec leur matérialité, leur sociabilité, leur performabilité et leur potentiel créatif.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.007
metaresearch head score (Gemma)0.002
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.808
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0070.002
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.000
Bibliometrics0.0000.001
Science and technology studies0.0010.003
Scholarly communication0.0010.005
Open science0.0010.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.045
GPT teacher head0.331
Teacher spread0.286 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it