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Record W2800803960 · doi:10.3138/cjfs.22.1.86

The Practice of Memory and the Politics of Memorialization: Denis Villeneuve's <i>Polytechnique</i>

2013· article· fr· W2800803960 on OpenAlexvenueaboutno aff
Brenda Longfellow

Bibliographic record

VenueCanadian Journal of Film Studies · 2013
Typearticle
Languagefr
FieldArts and Humanities
TopicVisual Culture and Art Theory
Canadian institutionsnot available
Fundersnot available
KeywordsHumanitiesArtArt history

Abstract

fetched live from OpenAlex

Cet article explore la façon avec laquelle Polytechnique (2009), le film de Denis Villeneuve, met de l'avant un processus par lequel la mémoire publique est refaçonnée à partir de positions discursives fondamentalement inégales. L'analyse démontre que la dynamique sociale cruciale qui informe la production de la mémoire collective ne peut être réduite à une simple dynamique binaire du souvenir ou de l'oubli. Comprendre Polytechnique comme une pratique particulière de commémoration nous permet de le situer à l'intérieur d'un spectre de pratiques et de se demander comment il fonctionne en tant que forme publique de mise en souvenir. Ma lecture du film concerne l'usage puissant et stratégique des affects que l'on retrouve dans le film et qui fonctionnent comme mode d'immersion du spectateur dans une expérience viscérale qui le positionne comme témoin du traumatisme du massacre de Montréal. La première section de mon analyse cherche à situer le film en relation au mode discursif particulier de la commémoration féministe et la seconde section explore la spécificité matérielle du film en tant qu'oeuvre cinématographique, c'est-à-dire en tant que mode sensoriel de représentation qui implique une réponse affective à des stratégies textuelles. La troisième section fait un retour sur les implications discursives de l'impulsion narrative du film.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.708
Threshold uncertainty score0.580

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0150.021
Scholarly communication0.0100.004
Open science0.0010.005
Research integrity0.0020.002
Insufficient payload (model declined to judge)0.0090.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.020
GPT teacher head0.261
Teacher spread0.241 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2013
Admission routes2
Has abstractyes

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Same venueCanadian Journal of Film StudiesSame topicVisual Culture and Art TheoryFrench-language works237,207