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Record W2805695239 · doi:10.3138/utq.87.2.04

Labour and the End(s) of Art in Archibald Lampman's “The Land of Pallas”

2018· article· en· W2805695239 on OpenAlexaffvenueabout
Robert Stacey

Bibliographic record

VenueUniversity of Toronto Quarterly · 2018
Typearticle
Languageen
FieldArts and Humanities
TopicPoetry Analysis and Criticism
Canadian institutionsUniversity of Ottawa
Fundersnot available
KeywordsPoetryRealmRationalization (economics)Subject (documents)Work (physics)Dead endHistorySociologyAestheticsLiteratureLawPhilosophyEpistemologyArtPolitical scienceComputer scienceEngineering

Abstract

fetched live from OpenAlex

This article is intended as a sequel to “Robots and ‘The End of Work' in Archibald Lampman's ‘The City of the End of Things,'” published in the University of Toronto Quarterly 85.2 (Spring 2016). It builds directly on ideas first presented there. In the earlier article, I argued that Lampman's “The City of the End of Things” has been regularly misread as a poem about exploited labour when, in fact, it is rather more concerned with the elimination of work through automation and the rationalization of the industrial process. Here, I turn to the question of the poet's work, and the status of the poem as a work, which inevitably arises whenever a poet makes the work of others the subject of his writing. While an anxiety about the status of creative labour is merely latent in “The City of the End of Things,” it manifests fully in “The Land of Pallas,” which Lampman wrote as a companion piece to the better-known poem. In the following article, I argue that “The Land of Pallas” can be read as an attempt to salvage an idea of the poet as external to the realm of work that the treatment of labour in “The City of the End of Things” had put in jeopardy.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.760
Threshold uncertainty score0.999

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.001
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0020.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.008
GPT teacher head0.183
Teacher spread0.175 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2018
Admission routes3
Has abstractyes

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