MétaCan
Menu
Back to cohort
Record W2809830266 · doi:10.1093/llc/fqy078

Semantic domains in Picasso’s poetry

2018· article· en· W2809830266 on OpenAlexaff
Luís Meneses, Enrique Mallén

Bibliographic record

VenueDigital Scholarship in the Humanities · 2018
Typearticle
Languageen
FieldComputer Science
TopicDigital Media and Visual Art
Canadian institutionsUniversity of Victoria
Fundersnot available
KeywordsPoetryPICASSOComputer scienceLinguisticsArtArtificial intelligenceNatural language processingLiteraturePhilosophyArt historyPainting

Abstract

fetched live from OpenAlex

Abstract The question of why Pablo Picasso dedicated a considerable amount of his time to writing around 1935 is open to speculation. Many have cited, among possible causes: the Spanish artist’s emotional crisis, the political turmoil in Europe in the period between the two wars, and the menace of a confrontation in Spain. All of these views are predicated on an assumed irreducible conflict between visual composition and verbal expression. However, we cannot forget that Picasso’s interest in alternative methods of expression might have started with his fascination for linguistic structure as a whole during his cubist period. In this article, we explore the possibility that the transition into poetry that we observe in Picasso is simply one more manifestation of his pursuit of alternative approaches to language as a means of representation. In this sense, one thing that remained to be determined was how concrete concepts in both languages cluster into representative semantic categories and how these categories interact with each other in semantic networks.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesScholarly communication
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: Theoretical or conceptual
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.359
Threshold uncertainty score0.998

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0010.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0030.004
Open science0.0020.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.052
GPT teacher head0.291
Teacher spread0.238 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2018
Admission routes1
Has abstractyes

Explore more

Same venueDigital Scholarship in the HumanitiesSame topicDigital Media and Visual ArtFrench-language works237,207