MétaCan
Menu
Back to cohort
Record W2890075602 · doi:10.1093/res/hgy086

<scp>Paul Salzman</scp>. <i>Editors Construct the Renaissance Canon, 1825-1915</i>

2018· article· en· W2890075602 on OpenAlexaff
Jeremy López

Bibliographic record

VenueThe Review of English Studies · 2018
Typearticle
Languageen
FieldArts and Humanities
TopicRenaissance Literature and Culture
Canadian institutionsUniversity of Toronto
Fundersnot available
KeywordsDramaCanonScholarshipMaking-ofLiteratureClassicsRelation (database)ApocryphaHistoryArtSociologyLaw

Abstract

fetched live from OpenAlex

This compact, useful study of nineteenth- and early twentieth-century editorial practice, is one of a few recent books that attempt to define the origins and describe the evolution of the canon upon which teaching and scholarship in the field of early modern literature are based. Others include Kirk Melnikoff’s Elizabethan Publishers and the Making of Literary Culture, Emma Depledge and Peter Kirwan’s collection Canonising Shakespeare: Stationers and the Book Trade 1640-1740, Kirwan’s Shakespeare and the Idea of Apocrypha: Negotiating the Boundaries of the Dramatic Canon, and my own Constructing the Canon of Early Modern Drama. Salzman’s book is distinctive in a few ways: its focus is relatively modern and deliberately narrow, spanning just under 100 years, and covering the major editorial figures from Alexander Dyce to R. B. McKerrow; it is concerned less with any particular canonical genre (e.g. drama) or author (e.g. Shakespeare) and more with the editorial practices, broadly considered, that underlie the canon-making process; and it contextualizes the work its key figures did editing early modern literature in relation to their other editorial labours.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.005
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: Not applicable
GenreCandidate signal: Other · Consensus signal: Other
Teacher disagreement score0.032
Threshold uncertainty score0.106

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.005
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0020.002
Science and technology studies0.0020.002
Scholarly communication0.0040.003
Open science0.0010.001
Research integrity0.0010.002
Insufficient payload (model declined to judge)0.0320.014

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.026
GPT teacher head0.268
Teacher spread0.243 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2018
Admission routes1
Has abstractyes

Explore more

Same venueThe Review of English StudiesSame topicRenaissance Literature and CultureFrench-language works237,207