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Record W2903123686 · doi:10.17077/2326-7070.1506

Wayfinding Peace

2018· article· en· W2903123686 on OpenAlexaff
Kimberly Baker

Bibliographic record

VenueMarilyn Zurmuehlen Working Papers in Art Education · 2018
Typearticle
Languageen
FieldArts and Humanities
TopicCultural Heritage Management and Preservation
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsSociologyIndigenousPeacemakingGrassrootsCollective memoryAnthropologySocial sciencePolitical sciencePoliticsLaw

Abstract

fetched live from OpenAlex

The Ph.D. study <em>Wayfinding Peace: Museums in conflict zone</em>s explores the Community Peace Museums Heritage Foundation (CPMHF) in Kenya a collective of 15 rural community peace museums. In 1994, Sultan Somjee a Kenyan ethnographer founded the CPMHF. The goal was to strengthen the cultural foundations that commemorate memories of living in peace even at times of ethnic conflicts. What makes the CPMHF peace museums unique is that they focus on a grassroots approach to “recall collective memories of reconciliation during contemporary conflicts” (Somjee, 2014, p. 8). The museums utilize cultural heritage and historical knowledge as a resource for conflict resolution, social justice, and sustainable development. Conversely, other world peace museums focus on the memorialization of a historical event, such as sites of past wars, or highlight individuals related to social justice issues (Somjee, 2014). This article offers museum and art educators, and scholars the opportunity to consider the ways the CMPHF utilize peace heritage traditions through the arts to reconcile conflict. The interdisciplinary approach of exploring history, anthropology, ethnography, art and international relations provides interesting perspectives and intersections on peacemaking approaches. The first section <em>Community Peace Museums Heritage Foundation</em> offers a brief historical background of the organization. The <em>Research Study Design</em> outlines the framework of the research. Then a discussion on <em>Indigenous Relational Aesthetics</em> through the lens of anthropology and ethnography scholars (Davis, 2009; May-bury Lewis, 1994; Somjee, 2018) provides insight into indigenous peacemaking traditions through cultural artistic practices. In comparison, <em>Western Relational Aesthetics</em> (Bourriaud, 2013) considers the different perspectives and ways relational aesthetics are viewed and how art can be employed in a Western context. <em>Indigenous Peace Practices</em> <em>vs Liberal Peace </em>provides an overview of the challenges of liberal peace ideals and the potential of employing indigenous peace heritage traditions as an alternative to address local issues, concerns, and perspectives. Afterward, three examples of CPMHF exhibitions and projects <em>The Great Beaded Peace Tree (2008), Journeys of Peace (2014), Youth4Peace (2014-2015), Tubonge (2017-2018) </em>illustrate the ways conflicting communities are brought together in peacemaking practices through indigenous relational aesthetics. The conclusion addresses the key lessons museum and art educators and scholars can learn from museums that utilize material culture to promote human rights through active participation in the arts.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesInsufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Other · Consensus signal: none
Teacher disagreement score0.853
Threshold uncertainty score0.997

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0040.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.070
GPT teacher head0.256
Teacher spread0.186 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designNot applicable
Domainnot available
GenreOther

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2018
Admission routes1
Has abstractyes

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