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Record W2957508538

Saints in disguise : a literary analysis of performance in Byzantine hagiography

2019· dissertation· en· W2957508538 on OpenAlexfundno aff
Julie Van Pelt

Bibliographic record

VenueGhent University Academic Bibliography (Ghent University) · 2019
Typedissertation
Languageen
FieldArts and Humanities
TopicByzantine Studies and History
Canadian institutionsnot available
FundersUniversiteit GentVlaamse regeringUniversity of IoanninaUniversity of TorontoFonds Wetenschappelijk OnderzoekPrinceton University
KeywordsNarrativeLiteratureContext (archaeology)Byzantine architectureOrder (exchange)InsanityIdentity (music)HistoryArtAestheticsClassicsLawPolitical science
DOInot available

Abstract

fetched live from OpenAlex

Byzantine hagiography has produced a number of stories of holy men and women who pretend to be someone other than who they truly are, hiding their true identities underneath a disguise. Some saints feign insanity, acting like a mad person. Others, female saints, pretend to be men in order to enter a male monastery. Finally, there are those who hide their true identities from their most beloved family members. It is somewhat surprising that such characters, who engage in dissimulation and mislead those in their environment, are the protagonists of stories belonging to the genre of hagiography, which was oriented towards edification. Within late antique Christian narrative, disguise and dissimulation of identity were often portrayed as characteristics of the Devil. Moreover, Church authorities strongly condemned any form of pretence, even with regard to roleplaying in the context of the theatre, which was rejected as the province of the Devil and associated with, precisely, illusion and deception. This study examines sixteen Lives of disguised saints (4th-10th cent.). These narratives are for the first time studied together from a literary perspective and with a focus on roleplaying. On the one hand, this study aims to show which narrative devices are used in Lives of disguised saints in order to still portray their holy protagonists in a favourable light. On the other hand, its goal is to elucidate why hagiographers may have chosen to write stories about disguised saints in the first place. The analyses demonstrate that these Lives reflect early Christian ideas regarding theatre and performance, exploring the relation between illusion, reality, and truth. Stories about disguised saints have the potential to show concretely that the reality surrounding us does not always mirror truth in a transparent way, and that illusions, being part of reality, tend to acquire truth-status, with dangerous consequences. It is this danger which lies at the basis of the Christian rejection of theatre performances, where reality and illusion become almost inseparable. Lives of disguised saints not only warn the public about these risks, they also offer a training in acquiring the mental disposition necessary to deal with the ambiguities of everyday reality, where, like in the theatre, nothing is what it may seem, and truth is often not immediately perceptible. In other words, they train the public not to be taken in by the material phenomena surrounding us, and, just like the disguised saints, who manage to remain themselves underneath their disguises, to focus on inner, spiritual life and to look for truth within.

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How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Bibliometrics
Consensus categoriesBibliometrics
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Observational · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.686
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.1330.034
Science and technology studies0.0000.000
Scholarly communication0.0000.001
Open science0.0010.000
Research integrity0.0010.001
Insufficient payload (model declined to judge)0.0010.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.013
GPT teacher head0.192
Teacher spread0.179 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; both teacher heads agree on what is shown here.

Study designObservational
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2019
Admission routes1
Has abstractyes

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