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Record W2973066931

Translations of Selfhood in Ver Sacrum: Language and Modernity at the Viennese Fin De Siècle

2016· article· en· W2973066931 on OpenAlexaff
Rita K. Laszlo

Bibliographic record

VenueFocus on German Studies · 2016
Typearticle
Languageen
FieldArts and Humanities
TopicDiverse Philosophical and Cultural Studies
Canadian institutionsUniversity of British Columbia
Fundersnot available
KeywordsModernism (music)ModernitySacrumConceptualizationEmancipationAestheticsArt historySociologyPoliticsArtPhilosophyLawPolitical scienceEpistemologyGeologyLinguistics
DOInot available

Abstract

fetched live from OpenAlex

Around the turn of the twentieth century, Vienna was blossoming into a tumultuous and buoyant central European hub. Despite political instabilities as part of Austria-Hungary, cultural, artistic and literary productions had come to an anthropocentric turn which marked the surfacing of die Moderne. An increasing (self-)awareness of one’s own psychology, perception and individuality led to radical (artistic and literary) expressions and the realization of social repressions. Viennese modernism launched a new aspect of language; one that would lead to visually and cognitively stimulating and disturbing works of art, literature, architecture, social activities and even medical practices. Ver Sacrum (1898-1903), an artistic and cultural magazine that aimed to be a Gesamtkunstwerk, a transdisciplinary, transmedial total work of art is an evidential reference point to the conceptualization of human selfhood and personhood. In an effort to understand Ver Sacrum beyond its role as the revolutionary and rebellious Kunstblatt of the Vienna Secession artists, the paper examines three entries from Ver Sacrum’s very first January 1898 edition: Max Burckhard’s article “Ver Sacrum,” as well as “Weshalb wir eine Zeitschrift herausgeben?” written by an unknown author¾presumably to collectively represent all members of the Vienna Secession¾and Hermann Bahr’s “Vereinigung Bildender Kunstler Osterreichs. Secession.” Ver Sacrum incorporates the need to express more of one’s inner (and artistic) perception and further exemplifies a persuasive kind of language, a way with words that portrays a requisite for acquiring (an artistic) selfhood. This requisite is Kunstsinn and Kunstempfindung. Although other cultural spheres such as coffeehouses, ball rooms, and the Ringstrasse also expressed and mirrored a new perception of the world and society, Ver Sacrum was an intentionally organized social and cultural sphere with an emphasis on the individual. The modern environment of this time was a product of das Ich-Empfindung. Ver Sacrum provided an orchestrated use of language commemorating works of art for an existential reason, thus, it was a necessary and primary tool for translating a modern artistic self into an even more comprehensible picture of reality for the Viennese and European society.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Qualitative · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: Empirical
Teacher disagreement score0.554
Threshold uncertainty score0.276

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0000.000
Science and technology studies0.0000.000
Scholarly communication0.0000.000
Open science0.0000.000
Research integrity0.0000.000
Insufficient payload (model declined to judge)0.0000.000

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.055
GPT teacher head0.280
Teacher spread0.224 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designQualitative
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2016
Admission routes1
Has abstractyes

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