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Record W2973845739 · doi:10.16995/dscn.348

Le positionnement éditorial dans l’édition critique numérique

2019· article· fr· W2973845739 on OpenAlexvenueno aff
Joana Casenave

Bibliographic record

VenueDigital Studies / Le champ numérique · 2019
Typearticle
Languagefr
FieldArts and Humanities
TopicDigital Humanities and Scholarship
Canadian institutionsnot available
Fundersnot available
KeywordsSubject (documents)Critical editionPhilologyPublishingDiversification (marketing strategy)Computer scienceHumanitiesLibrary scienceEpistemologySociologyPhilosophyArtLiterature

Abstract

fetched live from OpenAlex

Critical editing is a practice whose contours have been well established by the philological tradition. The different critical conventions are well known and have been subject to a myriad of scientific studies. Nevertheless, critical edition has been undergoing changes since the development of new technologies. Digital critical editions have multiplied and today represent a large and varied panel. As a consequence, it’s worth observing, beyond technological innovations, what digital editing brings in terms of methodology and publishing conceptualisation. Obviously, in digital editions as in traditional editions, the final goal is offering readers a text that they will be able to consult and use in their research: the edited text should be a stable one, that can be an authoritative resource. The uniqueness of digital edition’s design, however, requires editors to reflect, right from the start of the publication process, on the information that they are going to provide, as well as on the way in which they will be presenting it. From the very beginning of its development, digital editing entails, then, a true awareness of how it will be received. It permits, also, a significant diversification of information presented in editions. It ultimately distinguishes itself with its open nature: digital editing is open in terms of content evolution over time just as it is in terms of collaborative editing. <strong>Résumé</strong> L’édition critique est une pratique dont les contours ont été bien établis par la tradition philologique. Les différents courants critiques sont bien connus et ont fait l’objet de nombreuses études scientifiques. Cependant, depuis le développement des nouvelles technologies, l’édition critique est en pleine mutation. Les éditions critiques numériques se sont multipliées et constituent aujourd’hui un panel large et varié. Dès lors, il importe d’observer, au-delà des innovations techniques, ce que l’édition numérique apporte en termes de méthodologie et de conceptualisation de l’édition. Bien évidemment, dans l’édition numérique comme dans l’édition traditionnelle, l’objectif final consiste à proposer au lecteur un texte qu’il va pouvoir consulter et utiliser dans ses recherches: le texte édité doit être un texte stable, qui puisse faire autorité. Cependant, la spécificité de conception des éditions numériques oblige les éditeurs à s’interroger, dès le début du processus d’édition, sur les informations qu’ils vont fournir, ainsi que sur la manière dont ils les présenteront. L’édition numérique implique alors, dès le début de son développement, une réelle prise en compte de la réception. Elle permet également une diversification importante des informations présentées dans l’édition. Elle se démarque enfin par son caractère ouvert: l’édition numérique est ouverte en termes d’évolution de contenu dans le temps tout comme en termes de collaboration au travail d’édition. <strong>Mots-clés:</strong> Edition critique; philologie; humanités numériques; édition numérique; philologie numérique

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame distilled prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. Learned from the 10,348 direct Codex labels and 10,348 direct Gemma labels. Candidate is the union of thresholded teacher heads; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels or direct frontier model labels.

metaresearch head score (Codex)0.000
metaresearch head score (Gemma)0.000
Version: codex-gemma-dda1882f352aValidation status: machine_predicted_unvalidated
Candidate categoriesMeta-epidemiology (narrow), Science and technology studies, Scholarly communication, Insufficient payload (model declined to judge)
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Theoretical or conceptual · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.640
Threshold uncertainty score1.000

Codex and Gemma teacher scores by category

CategoryCodexGemma
Metaresearch0.0000.000
Meta-epidemiology (narrow)0.0010.001
Meta-epidemiology (broad)0.0010.001
Bibliometrics0.0000.000
Science and technology studies0.0020.001
Scholarly communication0.0030.005
Open science0.0010.000
Research integrity0.0000.001
Insufficient payload (model declined to judge)0.0010.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.022
GPT teacher head0.246
Teacher spread0.225 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one teacher head, not a consensus.

Study designTheoretical or conceptual
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations1
Published2019
Admission routes1
Has abstractyes

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