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Record W2980426017 · doi:10.3828/sfftv.2020.13

Race and world memory in <i>Arrival</i>

2020· article· en· W2980426017 on OpenAlexaboutno aff
David H. Fleming

Bibliographic record

VenueScience Fiction Film & Television · 2020
Typearticle
Languageen
FieldArts and Humanities
TopicPostcolonial and Cultural Literary Studies
Canadian institutionsnot available
Fundersnot available
KeywordsRace (biology)HistoryArtSociologyGender studies

Abstract

fetched live from OpenAlex

Drawing inspiration from Benjamin’s analysis of the small ‘crystals of the total event,’ and Barthes notion of imagistic punctum, this essay examines an irritating ‘cinematic splinter’ derived from Arrival (Villeneuve US/Canada 2016). The grating key scene witnesses the film’s only significant African-American character, Colonel Weber (Forest Whitaker), remind the white linguistic professor, Louise Banks (Amy Adams), that ‘a more advance race nearly wiped out the [Australian Aborigines].’ Exploring this excruciating spec helps to explode a kaleidoscopic image of our epoch, within which we can perceive a contracted ‘montage of history’—that counterbalances the sf story’s teleological projection of future. Among other things, the Manichean scene foregrounds how—as has historically been the case with Hollywood fare—perceptions of past and future become negotiated through a shifting web of racial and ethnic hierarchies. Recognising this, the essay explores how the scene’s contrived mise-en-scene amplifies Banks/Adams’ otherwise ‘invisible’ white profile, while using Weber/Whitaker to enfold divergent Black histories associated with past colonial contacts. This in turn helps conger images of a more complex and contested global history, or what Deleuze calls a ‘world-memory,’ that forces us to consider the real-world context of the here-and-now, wherein China appears on the ascendance.

Fetched live from OpenAlex and de-inverted. Abstracts are not stored in this database: the inverted indexes are 8.6 GB of the frame’s 9.3 GB of text, and the host has 13 GB free.

How this classification was reachedexpand

Full frame machine prediction

Teacher imitation

Not calibrated prevalence, not ground truth. Human validation pending. The Gemma side is a direct model label for every work in the frame, read from the title-only record. The Codex side is a classifier learned from the 10,348 direct Codex labels and calibrated to design-weighted sample rates; fields without enough sample support carry no Codex call. Candidate is the union of the two sides; consensus is their intersection. These outputs are machine_predicted_unvalidated and are not human labels.

metaresearch head score (Codex)0.001
metaresearch head score (Gemma)0.003
Version: metacan-v3-hybrid-931329e0061cValidation status: machine_predicted_unvalidated
Candidate categoriesnone
Consensus categoriesnone
DomainCandidate signal: none · Consensus signal: none
Study designCandidate signal: Not applicable · Consensus signal: none
GenreCandidate signal: Empirical · Consensus signal: none
Teacher disagreement score0.025
Threshold uncertainty score0.050

Distilled classifier scores by category (both heads)

CategoryCodexGemma
Metaresearch0.0010.003
Meta-epidemiology (narrow)0.0000.000
Meta-epidemiology (broad)0.0000.000
Bibliometrics0.0010.001
Science and technology studies0.0090.017
Scholarly communication0.0120.009
Open science0.0010.005
Research integrity0.0010.003
Insufficient payload (model declined to judge)0.0090.001

Machine scores (provisional)

The two teacher heads of the student model, read on this work. A score orders the frame for review; it never asserts a category, and the validation status ships verbatim with every row.

Baseline scores from an immature model (maturity gate not passed, 7 training rounds). Scores rank; they never assert a category.

Opus teacher head0.027
GPT teacher head0.234
Teacher spread0.207 · how far apart the two teachers sit on this one work
Validation statusscore_only:v0-immature-baseline · verbatim from the scoring run: score_only means the number may rank works, and no category label ships from it

Classification

machine, unvalidated

Machine predicted; a candidate call from one source (direct Gemma or distilled Codex), not a consensus.

The models applied no category: nothing in the taxonomy fit this work.
Study designNot applicable
Domainnot available
GenreEmpirical

How this classification was reached, model by model and score by score, is at the end of the page under "How this classification was reached".

Quick stats

Citations0
Published2020
Admission routes1
Has abstractyes

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Same venueScience Fiction Film & TelevisionSame topicPostcolonial and Cultural Literary StudiesFrench-language works237,207